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» Stay home with Bruckner
» Yamaha ns1000m speaker p»
» Large Polystyrene Caps
» Richard Wagner. Somethin»
» Why I do not love Mahler?
» Very in depth considerat»
» Some analysis of the Joe»
» How to record FM broadca»
» Dream Hi-Eff Speakers fo»
» I think my Dynavector 10»
» Observations and Thought»
» Weber’s "Andante e »
» Constructing LF modules »
» Time alignment of drivers
» ULF: where is the border»
» Better solution for bein»
» Adding one more non-sphe»
» Terminal Velocity? Smart»
» Passive line level cross»
» Berlioz Requiem / Pavaro»
» Wich melquiade?
» Contributing factors in »
» The contemporary pressin»
» Transparent horns
» Levels of High End Audio»
» Remembering Sound…
» A strange urge.
» Rim drive?
» Jessie Dazzle Project
» The Home Theater thought»
» John Cage about silence »
» The remarkable moments i»
» Submerging deeper into A»
» Romy...thoughts on Lamm »
» Speakers: a hi-fi disast»
» Ultimate Turntable?
» Mahler VI - Barbirolli w»
» Six years of continuing(»
Bookmarked are red
Martha Argerich Site
MusicWeb
Austria's Musical Exiles
The Thiele-Small Loudspe»
Technical books online
WHRB Radio Station
Lenard's Opals monitor
Glenn Gould Audio Archiv»
John Lenard Burnett's si»
Dolmetsch Online
Marston Records
Sibelius Academy music l»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro-Seiki Arm Board
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