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» Some thoughts about Milq»
» The foolishness of multi»
» Why second tonearm/cartr»
» Friedrich Kuhlau and his»
» An ultimate horn profile?
» The Mercury "Rigole»
» Time Alignment : Live Pe»
» The best picture of audi»
» More power from Melquiad»
» The crossovering Messiah»
» The most appalling audio»
» The Studio AU projects.
» Foundation Standarts for»
» Audio and Politic: a sol»
» 6E6P-DR in triode mode
» Lower cost horn loaded a»
» Red Violin Concerto
» Easy Bruckner for Beginn»
» How audio started….
» Get, or made up a tube t»
» Omni-directional 'horny'»
» Macondo – Super Melquiad»
» Crane Radio CCE2
» It is all about hard sur»
» A car with vacuum tube..»
» Available Blenders and S»
» Why David Robertson does»
» Günter Wand Intervi»
» American National Record»
» Memories of audio elemen»
» Neat reminiscences from »
» The optimum Sampling Rat»
» Kharma Loudspeakers reac»
» Initial thoughts about n»
» Film about Jacqueline du»
» Crossover Design
» The irony of playback ph»
» Horn placements - horns »
Bookmarked are red
Dr. Olson Tribute Site
Nubes Partem
Classic Artc Showcase
BuyWell Australia's Clas»
Loudspeaker Designer's G»
The Well Tempered Comput»
Plasma Tweeters Site
Sound Tourism
Audiomisc
Virtuosos Discographies
Classical Recordings New»
Lockwood Audio
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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LF Transformer for 6C33C
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“Tree Blind Mice” colle»
Altec 515B bass drivers
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Micro Seiki RX-5000
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