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» Constant directivity = c»
» Small double bass horn f»
» Liszt Piano Sonata &»
» About the tweeters phase»
» Horn for smartphone
» Mahler 3 and BPO.
» Brahms 4th Symphony in i»
» Cerebral and psychologic»
» Do not “compare” audio e»
» Time Alignment : Live Pe»
» Any good sounding AES/EB»
» Dpols?
» Boston and Bruckner
» ESS Connoisseur: a sensi»
» Coral x-viii
» Munich High End 2010
» Position your speakers a»
» Problems with horns: mid»
» So, What's the Story on »
» Audio Tekne driver align»
» A minor Audio depression»
» Some thoughts about bass»
» New, Transparent Speaker»
» A quest for a better SET.
» About HF Binaurallism
» Levels of High End Audio»
» Bass impact on Turntable»
» The DSET perspective exa»
» CEC TL0 3.0 trasport
» Commercial finished horn»
» Rcf n850
» Juana Zayas plays Chopin
» Software for collection »
» High End Audio and music»
» High Quality Music Serve»
» How idiots destroy sound.
» Smetana's Piano Trio
» A sort of DPOLs
Bookmarked are red
Soviet Composers
GedLee loudspeakers
Scriabin's Sonatas
Boston Philharmonic Orch»
Nubes Partem
Marston Records
MusicStack
Alexander Karpov’s “Next»
Turner Audio
Audiomisc
Max Robinson’s “Fun With»
Glenn Gould Audio Archiv»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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