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Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» CEC TL0-X: by no means a»
» Horn high-sensitively ar»
» Romy the Cat's Audio»
» Loenid Kogan
» A new beast from JBL: Ev»
» Joël Durand Intervi»
» What is better then Wagn»
» Melquiades: too early fo»
» Explain TAD ET-703 drive»
» 834p modding..."hum»
» Trinnov amplitude and im»
» Purist Audio Design vs. »
» An Acquired Taste
» Dc10audio.
» “Harmonic Speed”- friend»
» It is imposable to “hear»
» The A=432 Hz Frequency
» RIAA pole two = 501,12 Hz
» The power AC Outlets?
» Audio treasure find
» Music and Arts' Spring.»
» Full range Melquiades im»
» Null-set dipole butterfl»
» Baltimore Symphony Appoi»
» Bach by Ormandy’s Philad»
» Romy stalked me on the f»
» Vinyl Ceremonies: Repeat»
» Terminal Velocity? Smart»
» Impressions from High En»
» Why second tonearm/cartr»
» A primer on high-end mar»
» Lamm’s new phonostage.
» THE book on intonation
» Lamm hybrids: M1.2 vs. L»
» Tanglewood's 75th annive»
» Van den Hul famous FAQ c»
» Listening playback with »
» A big subwoofer vs. an a»
Bookmarked are red
Classic Records UK
GS Tube
Rachmanionoff's links
Tchaikovsky-Research.
Input Choke & Resonant C»
MusicStack
Overgrown Path
Classical Composers
Opera America
Joachim Raff Society
Pjay's Speaker building »
Aria Database
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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