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» Tossy Spivakovsky and Tc»
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» A magnetic hybrid driver.
» What is better then Wagn»
» Gospel, pop, jazz and co»
» About the Critical Audio»
» Audio clubs in London, T»
» If you've never heard th»
» The “Primary Frequencies»
» Why GOTO do not care abo»
» A littlie D-War: Bidat v»
» Neat reminiscences from »
» A nice Vandersteen inter»
» The new G.I.P speakers.
» SME M2
» It is all about hard sur»
» Compression at WCRB - b»
» Bruckner Ninth and the W»
» The Classical Music Caf&»
» A dive to Auro 3D
» Horns with contra-profil»
» The K&K SE hybrid ph»
» The “better speakers” to»
» A tribune to Transient E»
» Direct radiation in the »
» The Jeff Day’s Westminst»
» It is imposable to “hear»
» Nice collection of Artic»
» Polarity Tester – a must»
» Bach Piano Concertos, 1,»
» Another "Top five t»
» Signal variation, noise,»
» I need a “second-type” p»
» Use absolute polarity as»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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REL Precedent 646C tuner
Lamm L2 Reference pream»
Vitavox S2/S3 diaphragms
Micro-Seiki Arm Board
Altec 808A compression »
Lamm ML-2 Single-Ended »
Vitavox AK-15/40 15" ba»
Electro-Voice T350 twee»
Micro Seiki RX-5000
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