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» GM70 vs. 6C33C
» Mozart Concertos; Clarin»
» The Melquiades bass chan»
» Horns and digital crosso»
» Anybody building or usin»
» 45Hz Bass Horn
» 2+3 surround sound??
» A Cardboard Effect.
» The 'Beethoven Test' of »
» About DSET-driven multi-»
» ESS Connoisseur: a sensi»
» Afraid loudspeakers that»
» About Timbre and Audio.
» Earl Geddes: Horny Book
» First Order on Bass chan»
» Loudspeakers and headpho»
» Ultimate MF compression »
» Wharfedale Super 12/RS/D»
» Zander, BPO, George Li a»
» Do not pursue full-range»
» The Avicenna's failure i»
» Is it the time to change»
» JBL 2446
» The foolishness of multi»
» Why people still sell co»
» Schimmel's Voxativ Ampeg»
» What is the buzz: the V-»
» The 500-megawatt FM stat»
» Greek Anima Loudspeakers
» Tannoy Red 1960s: some s»
» Bruckner 8, WDR and Manf»
» Reel-to-Reel Tape vs. Ra»
» New old records shopping
» Prokofiev Classical Symp»
» If you play a guitar…
» Idea of a 3way horn syst»
» Bartok piano works
» Munich High End 2010
Bookmarked are red
John Lenard Burnett's si»
Norman Lebrecht's blog
Alexander Karpov’s “Next»
Classical Music Streams
Koussevitzky & BSO
Exponential/Hyperbolic C»
Retro hi-fi blog
Club Abbadiani Itineranti
33+45=78
RAAL ribbons
Jogis Röhrenbude's Site
High-End Audio
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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another trump blunder»
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Micro-Seiki MAX-282 To»
Pacific Microsonics Mod»
Lamm L2 Reference pream»
Micro-Seiki Arm Board
Rohde & Schwarz EU-6201»
Conscience of audio rev»
“Tree Blind Mice” colle»
Vitavox AK151 15" bass »
Korvet “Egg” Tonearm
Sansui TU-X1 Tuner
Lamm Industries M1.1 Mo»
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