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» A turntable platter as a»
» Monitors: Wishful thinki»
» DAW is down… new DAW.
» So, What's the Story on »
» Open letter to WGBH.
» Elgar conducts Elgar.
» CES 2006
» How many channels does a»
» THE Show, Irvine 2018
» Accuracy vs. Musicality »
» Apple helped kill FM...a»
» An Interview With Dr. Br»
» How to get a LOT of SET »
» Playback and operation o»
» More power from Melquiad»
» New Sonus Faber
» High End Audio and music»
» Schimmel's Voxativ Ampeg»
» High-End Audio. The thir»
» BiDat: One more output
» HELP on a Custom 3 Way H»
» Why David Robertson does»
» Crash course on horns an»
» Reality Check system to »
» Tuuubes - where are the »
» Time alignment of drivers
» Zigmahornets Speakers: c»
» Tube GU-29
» Zebra horns painting?
» DIY Firefly Horns
» The Shielding Condoms on»
» To be or not to be.
» CATS Purring tempo, slid»
» When the stars aligned.
» Focal-Jmlab – the Utopia»
» The 24 bits of Christmas
» Small double bass horn f»
» Multiple Tracks, Each On»
Bookmarked are red
Russian Music in 20th Ce»
StateWork Broadcast Reco»
Toccata Classics
Olson Acoustical Book
Rottenburger Museen
Takashi Asahina Group
Vintage EV speakers
ClassicalNet
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Micro Seiki RX-5000
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Purist Audio Design Pro»
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