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» The Color of Bass
» Multiple Tracks, Each On»
» Remastering (and re-loca»
» The Kato-san's Goto »
» Who makes horns? Archite»
» Deficiency of sensible a»
» Ultimate MF compression »
» Sarah Chang last night a»
» 4-way horn system Prelude
» I'm omnivorous... am I i»
» Copland/BSO/Copland
» What, no Mahler?
» Tanglewood's 75th annive»
» Matching audio to music:»
» High-End Audio, DPoLS -»
» Can a ultimate playback »
» Vintage JBL products lin»
» “Zarathustra” amplifier:»
» NAT Audio Magna -160 Wat»
» Long Range Acoustic Devi»
» Not all audio equipment »
» ULF: where is the border»
» My new “New” listening r»
» Hmmm... the sad truth ab»
» Deep-cryogenically treat»
» Six years of continuing(»
» Kharma Speakers as pH-in»
» hello cats...meow.
» Zebra horns painting?
» Cool running AB amplifie»
» Horn high-sensitively ar»
» Stravinsky and Headphone»
» Juana Zayas plays Chopin
» Bass impact on Turntable»
» About rationalism of twi»
» Romy...thoughts on Lamm »
» Monitors: Wishful thinki»
» Contributing factors in »
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High-End Audio
Boston Philharmonic Orch»
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Lied and Art Songs
Orchestra of the Age of »
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Overgrown Path
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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APR 12 Magdalene Ho, pianis»
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