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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The best audio system: m»
» A horn workshop
» GM70 vs. 6C33C
» Tuva Semminsen sings Viv»
» Audio and Music: four le»
» Monitors: Wishful thinki»
» Don't position speakers »
» Reference Recordings “di»
» 45Hz Bass Horn
» Music and Arts' Spring.»
» Macondo Horns: biography.
» Instrumental music vs. o»
» Maxonic drivers from Jap»
» Anyone know this horn fl»
» His Master Voice’s Shade»
» Active Tonearm Monitorin»
» What 10k Buys You These »
» Brahms PC #1, Philharmon»
» What is it all about? De»
» The Full (fuller) Range »
» Semi-Interesting film fr»
» Orion Phono Preamplifier
» The tapped horns: cons, »
» George Orwell and loudsp»
» To Milq builders: correc»
» Some Orchestra on Demand»
» Bruckner Sinfonie Nr.8, »
» The “Melquíades” d&»
» Jessie Dazzle Project
» Fun with transformers?
» It is imposable to “hear»
» New Motor for an Old Sot»
» Integrated sound field o»
» 1st Guitar Thread
» Any South/Latin American»
» Lamm introduced LL1 Sign»
» I would like to believe »
» Melquiadising other amp?
Bookmarked are red
RAAL ribbons
StateWork Broadcast Reco»
Classical Composers
The Gustav Mahler Board
Wiener Philharmoniker Di»
Duke Classical
Elliott Sound Products
Jogis Röhrenbude's Site
Tchaikovsky's Compositio»
Austria's Musical Exiles
Clemens Krauss Archive
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Sansui TU-X1 Tuner
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