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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» My new “New” listening r»
» Reallocation of efforts:»
» Beethoven PC 5 Surprise »
» Coral x-viii
» Injection Channel : JBL »
» The high-end audio, as i»
» The “sounds” that I am l»
» The Macondo’s Upper Bass»
» An idea of “Rain Wake-Up»
» Brahms PC #1, Philharmon»
» What is the buzz: the V-»
» Micro Seiki DD30 Headshe»
» Electrostatic tweeter fo»
» Interesting diffuser sof»
» Eq for 78's
» The path of simplificati»
» Macondo – Super Melquiad»
» EMIA Phonostage.
» Very interesting
» The idiotism of Audio Sy»
» About digital files and »
» Boston and Liszt’s Secon»
» The sound of Concert Hal»
» Midrange driver suggesti»
» Direct radiation in the »
» Callas and Tebaldi Compa»
» The Foolishness of Analo»
» Constant directivity = c»
» The "non-winner&quo»
» What to do in office?
» The WHRB’s Rimsky-Korsak»
» Soundsmith’s analog idea»
» FM Acoustics
» Antelope: might be an in»
» More 6E5P-6C33C amps.
» Compression at WCRB - b»
» Small SET’s bass, beside»
» Do not pursue full-range»
Bookmarked are red
Greg Sando’s Site
High-End Audio
Hickok Maintenance
Western Electric manuals
The Leonard Cohen Files
Classical Music Forum
Berkshire Record Outlet
OperaGlass
Daniels Audio
Twogoodears' Blog
Eugene Ormandy Pages
Tube World
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro Seiki RX-5000
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Kenwood L-02T FM Tuner
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