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» Acoustics of Avery Fishe»
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» My Multi-way Horns
» Too damn loud?
» New, Transparent Speaker»
» Universal VTA adjustment.
» About the DAW playback s»
» John Curl’s new phonosta»
» Building horn onto power»
» Engaging the David Haign»
» Looking for the most vin»
» Metropolitan Opera 2009-»
» Audio Covid and some hom»
» JBL LE8
» Horns and digital crosso»
» A question to DIY musico»
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» Satisfying result: the R»
» And a Bruckner 8 the day»
» Ultimate MF compression »
» Small spaces
» A cutoff horn loudspeake»
» Links in the Knowledge T»
» Berlin, Bruckner 8 in Ma»
» Schubert's Dancing Cats
» How Piazzolla should sou»
» Audio industry metaphor
» The CD players must read»
» High Definition Tape Tra»
» The Sound and How We Hea»
» $350.000 of audio-script»
» Michelin horns
» What is the difference b»
» (monitor vs hifi speaker»
» About reviewer’s qualifi»
» Problems with horns: mid»
» Electronluv systems ques»
» Le Poeme Harmonique
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Nubes Partem
The Well Tempered Comput»
BostonSymphony's Channel
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Great Plains Audio
Parnassus Records
Eugene Ormandy Pages
Exponential/Hyperbolic C»
WHRB Radio Station
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox S2/S3 diaphragms
LF Transformer for 6C33C
Micro-Seiki Arm Board
Altec 515B bass drivers
Kenwood L-02T FM Tuner
CEC TL-0 MK2 transport
Pacific Microsonics Mod»
Purist Audio Design Pro»
Korvet “Egg” Tonearm
Vitavox AK-15/40 15" ba»
Fane Studio 8 dual conc»
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