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» Stupid SME question abou»
» Sounds of Science
» You Can Play the Record,»
» Speakers: a hi-fi disast»
» Glorious HDMI Cable.
» Kharma Speakers as pH-in»
» The “Implied Sound” in A»
» $350.000 of audio-script»
» Relief from micro-arcing»
» An objective tool to tra»
» Appearance of listening »
» The 5-ways from Germany.
» Greeting every one
» Matching audio to music:»
» Entereing the "Desi»
» Audio industry metaphor
» The nature of "soun»
» Write your own ploy of t»
» A cutoff horn loudspeake»
» Barn Conversion - James'»
» Direct radiation in the »
» Greek Arcadian Audio new»
» Why I do not like the &q»
» Building “Zarathustra II»
» Correcting Filters and t»
» Reel Machines :-O
» Horn Enclosures & &q»
» Danley's Hyperion
» Closer to the musicians »
» Koussevitsky and La Mer
» Cessaro Gamma II and Ome»
» Today’s SACD - music for»
» Other Ways of getting Sp»
» I have a dream, the drea»
» A use of extraordinarily»
» Avantgarde Trio, Roy Gre»
» Myth of CD clocking = Tr»
» DIY LCR phono
Bookmarked are red
Perer Gulmann's Classica»
Musical Musings
George Szell discography
Pianist Yakov Kasman
Rachmaninoff Society
Classical Collections
ElecroVoice’s Vintage Pr»
Electronics encyclopedia
33+45=78
Wolds Opera Broadcasts
Museatex
Audio Spot Kamani
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro-Seiki Arm Board
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Sansui TU-X1 Tuner
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