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» Munich 2017, Avantgarde »
» A DSET is better then an»
» The evil of low sensitiv»
» Acoustics of Avery Fishe»
» The new releases from &q»
» K2HD -yet, another CD fo»
» Bach, Brandenburg Concer»
» New nanotube speaker tec»
» “Why horns”, years later.
» The Truly High-End Ampli»
» What is High-End Audio, »
» The DSET perspective exa»
» An Acquired Taste
» An angry engineer...
» A minor Audio depression»
» Macondo vs Dannoy = Esse»
» Compression driver phase»
» 2010 Classical Grammy No»
» Constructing LF modules »
» What to do in England?
» EMM Labs hits… the chick»
» Yamamura's 6 ways
» The nature of "soun»
» Yep, Bach would do it….
» 4-way horn system Prelude
» Assemble it yourself?
» There is Bruckner and th»
» The European Triode Fest»
» Digital crossovers self-»
» How to get a LOT of SET »
» Yarlung Records at 24 bi»
» Bruckner at 24bit.
» Help to identify the LF »
» Aimez-vous Bartók?
» Electrostatic tweeter fo»
» Digital Volume Control s»
» BBC: Composer of the Wee»
» Open cell foam in horns »
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