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» Seven hours of live musi»
» Micro Seiki MAX 282 Ques»
» The BBC Proms 2009
» Small SET’s bass, beside»
» Reel Machines :-O
» Getting more power from »
» The Engström & »
» RIP Pauline Oliveros
» About the tweeters phase»
» A[nother] Cautionary Tal»
» Vitavox and Goodmans Bas»
» Spivakov, NPoR Orchestra»
» Help to identify the LF »
» A car with vacuum tube..»
» About DSET-driven multi-»
» Sonic consequences of re»
» The industry’s high qual»
» Direct radiation in the »
» Mysterious Russian Tromb»
» Internet and electricity
» The Saudi Arabia and Uni»
» Multicellular horns
» A great article from Pet»
» Pro Audio: JBL SR-4735X
» TX-103s...
» October surprise. NY, NY»
» Engaging the David Haign»
» Staxquiades project
» Burn any single-driver s»
» NOhorn channel for “the »
» Performers
» ULF: where is the border»
» Hans Vonk Legacy
» The nature of "soun»
» Yet another Gould box se»
» A contemporary great CD »
» DHT driver & input
» What is wrong there and »
Bookmarked are red
Classical Music Streams
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Input Choke & Resonant C»
Decca Classical discogra»
Jong Woo's Site
Turner Audio
The Music Parlour
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Audio Anthology
MusicWeb
Classical Composers
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
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“Tree Blind Mice” colle»
Micro-Seiki Arm Board
Lamm Industries M1.1 Mo»
Ortofon Mono CG 25 Di c»
Purist Audio Design Pro»
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Sansui TU-X1 Tuner
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