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» An angry engineer...
» CD horn and JBL: Crossov»
» A nice Vandersteen inter»
» Who has best sound in Hi»
» An interesting TT link: »
» Macondo – Super Melquiad»
» The “sounds” that I am l»
» Turntable speed analysis.
» How Well Shall a CD Tran»
» Thoughts on midbass horn»
» Fidelity Research FR-7
» Tree motors from one sid»
» Stephen Hartkel, the goo»
» Shaky tubes, echo testing
» Label or map it religiou»
» Rubinstein at Carnegie H»
» Dedicated horn loaded mi»
» A weekend of treats by B»
» Gershwin's Rhapsody in B»
» Macondo and ALE drivers,»
» Remote control - the ult»
» November to remember… an»
» Custom UPS.
» Audio Shopping vs. Piano»
» Omni-directional 'horny'»
» The cPlay software.
» Don Quixote BSO Live tod»
» Commercial finished horn»
» Rachmaninoff Piano Conc»
» An objective tool to tra»
» MET Broadcast, season 20»
» The last phonocorrector:»
» Digital recorders: what »
» Russian variant amplifier
» A random neutralness
» Can a ultimate playback »
» Boston and Bruckner
» My today’s views on LP c»
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Valves Collection
Musical Musings
George Szell discography
Rachmaninoff Photos
Linkwitz's "Laboratory"
Virtuosos Discographies
Phono EQ
Instant Encore
GedLee loudspeakers
WGBH's “Keeping Score”
OperaGlass
Recording Technology His»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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