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» The objectives of Einste»
» 1st Guitar Thread
» Downloadable DSD.
» Acoustics of Avery Fishe»
» Baseline measurements an»
» Music and WW3
» Dvorak Piano Quintet
» Recording options: Pacif»
» A horrible re-performanc»
» Pacific Microsonics Mode»
» Sansui AU-X1 bomb...
» The last phonocorrector:»
» My new horn systems
» Zander, BPO, George Li a»
» Dc10audio.
» Entry level DSET Melq?
» Live memories of Live br»
» About my listening habit»
» Vox Olympian secrets unv»
» Berkeley Audio Design's »
» RCA’s Sound And The Story
» A quote from a Japanese »
» Focal-Jmlab – the Utopia»
» Recommend me works to ge»
» Paul McGowan. tubes in p»
» A horn workshop
» Contact-free volume cont»
» Training amplifiers
» About dymick sparkling.
» Benjamin Grosvenor is co»
» Belcea Quartet
Bookmarked are red
Club Abbadiani Itineranti
Cedille Chicago
Marston Records
The Music Parlour
GedLee loudspeakers
Max Robinson’s “Fun With»
Soviet Composers
Overgrown Path
Phil Mundi Audio Pro Med»
Hermann Scherchen discog»
Direct Heated Rob
Glenn Gould Audio Archiv»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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CEC TL-0 MK2 transport
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Purist Audio Design Pro»
Electro-Voice T350 twee»
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