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» Hi from Melbourne, Austr»
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» Tonearm Alignment Method
» A longer turntable belt.
» Playback journeys and Mu»
» Kitties go to London
» Faberryman and the CES 2»
» Zander's new Masterclass
» Anybody using vacuum hol»
» Good commercial speakers
» Simpson Microphones thre»
» “Zarathustra” amplifier:»
» Performers
» A “pocket version” of Br»
» Rullit Aero-8 driving – »
» Altec Model 19 in Boston.
» Rubinstein at Carnegie H»
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» Could someone recommend »
» Do not pursue full-range»
» Multi-amping crossoverin»
» Why second tonearm/cartr»
» THE Stargazer
» Incorporating active cro»
» Naked Sound and Whether.
» More about the EdgarHorn»
» The Kato-san's Goto »
» Tchaikovsky: Symphony No»
» Wilson Audio Setup Proce»
» How High-End Audio can b»
» Should I low pass the mi»
» Liszt’s symphonic poems.
» Ultimate HF output trans»
» The “Dead Points of Live»
» Klipsch Jubilee
» The “bread and circus” o»
» The Dark Hope of Renee F»
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Western Electric manuals
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About FM Antennas
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Ortofon Mono CG 25 Di c»
Hillock TV-2 tube tester
Musatex-TP Bidat 20-Bi»
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ESS AMT-1A Heil Air Mot»
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