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» The “Melquiades” Sound -»
» Rightsizing from extreme»
» DBT - a signature of lis»
» The most ridicules symph»
» How to make a playback t»
» Think Denk and op.106
» The Dark Hope of Renee F»
» Do the Filament Transfor»
» A new film about Karajan
» A perfect "High-End»
» Playback and Perception »
» Vintage Altec drivers / »
» GM70 vs. 6C33C
» What’s up with these gia»
» Mozart: "Cosi Fun T»
» Kharma Speakers as pH-in»
» Unexplained haunting exp»
» The Loudspeaker (Troels »
» New Motor for an Old Sot»
» I think it is the end.
» Middle step (non ultimat»
» Shindo Latour
» Records Box Stuffing
» Audiotism: cable elevato»
» Pop-music as a side-disc»
» CDs: good tendencies.
» Who has best sound in Hi»
» Bach Cello Suites
» NESPA Optical Disc Final»
» Bliss
» There is no need to say »
» Bruckner, me and the Sev»
» The Eduardo Chibas and B»
» Starting from scratch - »
» Chostakovich: Concerto »
» Midbass Horns and Real E»
» Boston and Liszt’s Secon»
» JMLC horns profile?
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Tribute Output Amorphou»
Altec 515B bass drivers
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Ortofon Mono CG 25 Di c»
Vitavox S2/S3 diaphragms
Musatex’s Bidat Model "»
Pacific Microsonics Mod»
Sansui TU-X1 Tuner
Micro Seiki RX-5000
Korvet “Egg” Tonearm
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