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» The Rafael Kubelík'»
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» Compression Drivers -in »
» Musique Concrete horns
» Tweeters: the most misus»
» ... and some Bruckner bu»
» EMI rollercoaster across»
» The ultimate buffer #2..»
» Good commercial speakers
» How to play Bruckner Sou»
» The “Dead Points of Live»
» Soprano Sally Matthews.
» Lamm LP2 phonostage: rev»
» Audio vs. Musical pitch
» How to mitigate the expe»
» Playlists and patience
» Red Violin Concerto
» Educate yourself WHY you»
» The most emblematic reco»
» High-End Audio. The thir»
» Jonathan Weiss Introduce»
» Anyone experimented with»
» A ridicules speaker cable
» I am thinking about anim»
» Vitavox’s S2 Survival Gu»
» Magico Model 6 loudspeak»
» How to build the best au»
» Macondo listening experi»
» How to make a playback t»
» The real goals of sound »
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» The WHRB’s Orgies period.
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» Monitors: Wishful thinki»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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