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» Simpson Microphones thre»
» The real goals of sound »
» Bye-Bye Reel
» Boston and Liszt’s Secon»
» To move audio equipment »
» How to get a LOT of SET »
» The 68 dipoles imitation»
» About audio Crashes.
» About Harry Pearson lega»
» Another topic on vitavox»
» Why GOTO do not care abo»
» Kevin Brooks Acoustic Sy»
» Sound of line level filt»
» Contact-free volume cont»
» Clark Johnsen.
» Optical Cartridge: groun»
» THE book on intonation
» A speaker set with JBL 2»
» Macondo: new horizons. A»
» 23Hz mono horn project.
» Nanse Gum and his Euro-A»
» Perception of bass?
» Lecture on history of ar»
» "Master Quality Aut»
» Hideous American operas.
» Altec A2
» I wish I could speak Ger»
» Macondo listening experi»
» TOA monster sized compre»
» EMM Labs hits… the chick»
» About “strangeness” of A»
» Used car salesman as a d»
» The 3rd music revolution»
» High-End Audio, how to »
» Horns and digital crosso»
» Wiring for box speakers?
» Professional sound syste»
» Lamm ML2.2 and Mark the »
Bookmarked are red
Berkshire Record Outlet
Russian Records
Dr. Bruce Edgar Interview
Direct Drive TT
MetManiac Opera Archive
Scriabin's Sonatas
Classical Recordings New»
Cedille Chicago
Boston Philharmonic Orch»
Wood Horn Speakers
Audiomisc
BuyWell CDss
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Korvet “Egg” Tonearm
Sansui TU-X1 Tuner
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Micro-Seiki Arm Board
Electro-Voice T350 twee»
Koetsu Onyx Platinum Ca»
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