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» A horn workshop
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» The tools to listening s»
» Archimago's Musings talk»
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» To buy an SACD Player?
» The most emblematic reco»
» About dymick sparkling.
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» The "anecdotal"»
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» The “Dead Points of Live»
» Experimental horn
» A tribune to Transient E»
» ... again on GOTO Unit d»
» "Zaratustra II"»
» Deficiency of sensible a»
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» Thank you, Sir! May I ha»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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anthony davis wins pulitzer»
augustin hadelich: tiny des»
c.p.e. bach: mercurial dive»
Classical Music News
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
9 things to do this weeken»
classical music news. diab»
another trump blunder»
from concerts to cartoons:»
classical music livestream»
how to diversify orchestra»
ethel smyth, a composer lo»
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‘the lost pianos of siberi»
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it’s (almost) business as »
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leon fleisher, 92, dies; s»
leon fleisher, 92, dies; s»
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Composer's Anniversaries
Caccini, Giulio ( 1545-10»
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Franck, César Auguste»
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Messiaen, Olivier (10 Dece»
Gould, Morton (10 December»
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My Audio Leftovers
Ortofon Mono CG 25 Di c»
Micro-Seiki Arm Board
Musatex’s Bidat Model "»
Vitavox AK-15/40 15" ba»
Vitavox S2 Compression »
CEC TL-0 MK2 transport
Fane Studio 8 dual conc»
Micro Seiki RX-5000
Lamm Industries M1.1 Mo»
Altec 808A compression »
Musatex-TP Bidat 20-Bi»
More Leftovers »»