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» BPO's virtual concert ha»
» Sibelius VC; Furtwangler»
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» Yamaha 6681B
» SPUnisation of Macondo: »
» Faital compression drive»
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» Direct to Disc: The Brah»
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» Does Reference Recording»
» EAR Yoshino DAC 4 by Tim»
» The experiments with rem»
» About the undeveloped au»
» Ah Mravinsky !
» Electrostatic tweeter fo»
» Another time aligned 5-w»
» Motion Picture Sound
» Alfred Schnittke’s Gogol»
» 100V vs 120V
» Do not buy CDs mastered »
» Contact-free volume cont»
» What drives good sound?
» A horn workshop
» I have a dream, the drea»
» Show Report PiS Fest
» How Piazzolla should sou»
» Avantgarde method of cap»
» The new G.I.P speakers.
» Turntable speed analysis.
» A use of extraordinarily»
Bookmarked are red
Exponential/Hyperbolic C»
Exotic Audio
Russian Music in 20th Ce»
The Bruckner Discography
Duntech Audio loudspeake»
Twogoodears' Blog
Marston Records
Sibelius Academy music l»
Seen and Heard
FM Radio Query
33+45=78
Ron Penndor's Recollecti»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Korvet “Egg” Tonearm
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Micro Seiki RX-5000
Sansui TU-X1 Tuner
Fane Studio 8 dual conc»
Conscience of audio rev»
LF Transformer for 6C33C
Altec 515B bass drivers
Purist Audio Design Pro»
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