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» Polarity Tester – a must»
» RIP Oscar Peterson
» Rullit Aero-8 driving – »
» How do you position your»
» The Sakuma's Show
» Macondo copying: Horns t»
» Arranging my records col»
» Digital recorders: what »
» Wich melquiade?
» Winter storm & Casals
» Attention Sound Engineer»
» Two-stages, hybrid, smal»
» Reality Check system to »
» Grid bias power supplies
» A quests for an ultimate»
» Romy's Multi-cell Horns »
» So sad that did not see »
» Remembering Sound…
» Bruckner integral
» About beauty and uglines»
» My new “New” listening r»
» About audio Crashes.
» The great Corus performa»
» If I were a High-End Aud»
» My playback: what is nex»
» Is any interesting audio»
» Object-oriented audio re»
» The FM Stereo and Multi»
» 6E6P-DR in triode mode
» Beware of "Higher F»
» Horns and digital crosso»
» Janine Jansen
» Could someone recommend »
» A truly cool solution fo»
» A new kid in the block: »
» Who has best sound in Hi»
» Johannes Brahms - Sympho»
» My current conductor obs»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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Hoffman, Marcus (2 Februar»
My Audio Leftovers
Vitavox 330Hz Horn for »
Kenwood L-02T FM Tuner
Micro Seiki RX-5000
Pacific Microsonics Mod»
Electro-Voice T350 twee»
Lamm Industries M1.1 Mo»
CEC TL-0 MK2 transport
“Tree Blind Mice” colle»
Ortofon Mono CG 25 Di c»
Purist Audio Design Pro»
Koetsu Onyx Platinum Ca»
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