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» The commercial music ser»
» Mysterious Russian Tromb»
» The experiments with rem»
» Levels of High End Audio»
» Something that a loudspe»
» Chesky's violin concerto
» "It" Thread
» After-concert download –»
» What is better then Wagn»
» National Youth Orchestra»
» The high-end audio, as i»
» Trinnov amplitude and im»
» Hans Zenders’ orchestrat»
» The List: Let age public»
» A magnetic hybrid driver.
» Orion Phono Preamplifier
» Ever thought about how m»
» Focal-Jmlab – the Utopia»
» Excerpt: Beethoven Cello»
» Buying cds and records i»
» Not all audio equipment »
» The Hannes Kastner’ Tocc»
» High-End Audio as going »
» What TRULY high-audio p»
» Capturing live internet »
» The centuries old strugg»
» Boulez' LF-Injected Vers»
» The Hand Clapping by Fra»
» Direct to Disc: The Brah»
» TAS article: start of th»
» About audio hoarding
» Playback evaluations mad»
» De-stress not decompress»
» The African compression »
» An interesting Russian p»
» A fundamentally faulty J»
» 5 Channel Version of Mel»
» Ravel's Piano Trio; Rubi»
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Electron Tube Data sheets
Musical Musings
RAAL ribbons
Exponential/Hyperbolic C»
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WGBH's “Keeping Score”
Great Plains Audio
Rradiomuseum
Opera America
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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CEC TL-0 MK2 transport
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Kenwood L-02T FM Tuner
SME M2 - 12" Tonearm wi»
Vitavox S2/S3 diaphragms
Hillock TV-2 tube tester
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Micro-Seiki MAX-282 To»
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