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» Kalinnikov’s First Symph»
» The Evolution of Honk.
» The FM Radio. What a Hel»
» Tree motors from one sid»
» Kharma Speakers as pH-in»
» Rachmaninoff, PC 3; Kond»
» Berlin, Bruckner 8 in Ma»
» Tractrix Bass horn vs Sp»
» Stop buying the records »
» Antelope: might be an in»
» Horn placements - horns »
» Building a new music room
» Remote control - the ult»
» The Sakuma's Show
» Aporia - Silbatone Acous»
» Eq for 78's
» Tightening to loosening »
» Etheraudio's some BS….
» Audio cabinet of curiosi»
» Learning to interpret RTA
» Faberryman and the CES 2»
» JBL LE8
» Help: Building a Melquia»
» About TTH characteristic»
» How to manage the digita»
» High-End Audio and..... »
» Future of high-end audio
» Macondo vs. the “industr»
» Jonathan Valin shell be »
» Tweeter for Vitavox S2. »
» Is better than Kinetic S»
» The New sound of London »
» Tonearms criterias??
» Van Cliburn Moscow 1958
» Really Expensive DACs?
» Beware of the Arkive Mus»
» Dvorak Piano Quintet
» High-End Audio "sec»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Electro-Voice T350 twee»
SME M2 - 12" Tonearm wi»
Altec 515B bass drivers
Korvet “Egg” Tonearm
CEC TL-0 MK2 transport
ESS AMT-1A Heil Air Mot»
Vitavox AK-15/40 15" ba»
Micro-Seiki MAX-282 To»
REL Precedent 646C tuner
Micro Seiki RX-5000
Fane Studio 8 dual conc»
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