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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Stephen Hartkel, the goo»
» CD horn and JBL: Crossov»
» Devid Berning amplifiers»
» VMPS RM V60 – kill me, b»
» Upperbass horns – tone v»
» Wide dispersion horns
» Idler Drive - Rumbling I»
» Why David Robertson does»
» Help: Building a Melquia»
» John Luther Adams's Beco»
» World's First Concrete R»
» LeCleach vs. tratrix and»
» Sauna and Audio
» Splitting XLR into Multi»
» A ridicules speaker cable
» Polarity Tester – a must»
» DIY multicellular horn
» Satellite radio
» Pacific Microsonics Mode»
» Brahms 4th Symphony in i»
» Electro-Voice Tweeter an»
» Philmundi Story about ho»
» Terminal Velocity? Smart»
» Benjamin Britten’s Violi»
» SET and speakers: disreg»
» Stravinsky and Headphone»
» A multi-tier audio contr»
» Chasing utopian better p»
» Interview with Daniel We»
» Anything wrong with wide»
» Adding one more spherica»
» Sansui AU-X1 bomb...
» Steve Leung, Cartridge W»
» Liszt’s symphonic poems.
» Soundsmith’s analog idea»
» I do not know what else »
» Where the FM quality com»
» Omni-directional 'horny'»
Bookmarked are red
Tchaikovsky's Compositio»
Spinning Dog Records
MetManiac Opera Archive
Hermann Scherchen discog»
Pianist Yakov Kasman
Perer Gulmann's Classica»
American Broadcasting
Toccata Classics
Heart's Ease
Soviet Composers
Audio Perfectionist
Nornan Lebrecht's blog
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Why audio itself is wasted efforts 117 
Stradivarius 117 
We are creatures of habit! 116 
Wasting Away With Pass Bands, Filters and Fillers 116 
The language of hifi, the language of music, the language of perception 115 
There is a language and there is the language 115 
Everything else is a rejection. 115 
The Collective Unconscious To The Rescue! 115 
And we cannot forget intonation... 114 
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