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» Why second tonearm/cartr»
» Dedicated Music Room Bui»
» Koussevitsky and La Mer
» BiDat: One more output
» How much does it cost to»
» Is horn a natural shape?
» A quest for a better SET.
» Sibelius VC; Furtwangler»
» Choice of Fireware Inter»
» An amplifier for Tweeters
» Zebra horns painting?
» SME M2-12 tonearm
» Initial thoughts about n»
» Khatia Buniatishvili
» The LavryBlack DA11 Ster»
» How to build the best au»
» Buzz/Kill, and The Most »
» It’s mad, mad, mad... e»
» “FM live” file exchange »
» The one-stage Melquiades.
» What is High-End Audio?
» Anybody using vacuum hol»
» The “Wet and Fuzzy” cabl»
» The corrupted listening »
» George Orwell and loudsp»
» What about 220V 50Hz?
» Entereing the "Desi»
» The Kato-san's Goto »
» A ridicules speaker cable
» The tapped horns: cons, »
» Martin-Logan, Myles Asto»
» Accidental death music.
» Tanglewood 2010
» Large La or Tratrix horn»
» An Acquired Taste
» About the Audio Neutrali»
» A Moscow setup with Horn»
» SET and speakers: disreg»
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Perer Gulmann's Classica»
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Japanese Translator
Olson Acoustical Book
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Daniels Audio
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Overgrown Path
Boston Philharmonic Orch»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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THE book on intonation 755 
Link 266 
I am in Norway this week with no access 265 
Here is the book. 261 
Working link 261 
Intonation is intermodulation for musicians 260 
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