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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» GM70 vs. 6C33C
» Transfer: The reel-to-re»
» Magico Mini or Jonathan »
» Berlioz Requiem / Pavaro»
» Double enclosure or usin»
» The tapped horns: cons, »
» The Eduardo Chibas and B»
» Digital crossovers self-»
» A quote from a Japanese »
» How many Bits needed for»
» The great pianist Earl W»
» The best “Die Fledermaus»
» Loit Eagle Player – the »
» Radiation patterns match»
» 5 way system in the UK
» Micro seiki SX-8000 Air »
» Dennis Colin's Sound Str»
» Another time aligned 5-w»
» Paul McGowan. tubes in p»
» What is it all about? De»
» Make Your Own Horns
» DeCompressor - Puncher P»
» Danley's optimised paral»
» Open cell foam in horns »
» The BSO and Digital Musi»
» It takes balls to shop (»
» An interesting read abou»
» Vitavox 12 cell Horns + »
» Dc10audio.
» Stop having a fear of ho»
» Ca(r)t before the horse:»
» The best Third Movement »
» Phoenix
» Günter Wand Intervi»
» Romy's Multi-cell Horns »
» Say “no” to the light to»
» What to do in England?
» Rightsizing from extreme»
Bookmarked are red
Pjay's Speaker building »
Martha Argerich Site
Audio Database
Exponential/Hyperbolic C»
Volvotreter Homepage
MusicStack
Eugene Ormandy Pages
Robert Greene’s "Reg on »
Boston Philharmonic Orch»
Polish GM70 Poject
Ron Penndor's Recollecti»
Wolds Opera Broadcasts
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

Audio Knowledge Tree - hierarchical collection of Club's audio content. Click a subject to expand articles
 
Analog source and analog related accessories
 Turntables (8)
 Tonearms (9)
 Cartridges (14)
 Analog set-up (5)
 Accessories (2)
 Phonostages (18)
 Step-up transformers (1)
 Tuners (6)
 Tape machines (2)
Digital source and digital related tools
 Transports-Players (17)
 D-A Processors (18)
 Recorders, A-D Processors (14)
Line-level and power electronics
 Line-level Amplifier (13)
 Power Amplifier (49)
 Crossovers (7)
 Vacuum tubes (58)
Acoustic system and listening room
 Horn loaded (160)
 Boxed (34)
 Opened baffle (8)
 Speakers setup (27)
 Listening Rooms (17)
Secondary audio devises and trivial Gizmos
 Cables (7)
 Power lines and supplies (10)
Listening Practice
 Evaluation methods (70)
 “How audio might sound”
 +1dB effect form basshorn.
 A new 'chic' foolishness about mono systems
 About a "consciousness of a playback system"
 About Darwinism of Music and audio assessments.
 About DSET-driven multi-way acoustic system maintenance assessment.
 About my listening habits.
 About Stupid Dynamic
 About the “beauty” of digital crossovers.
 About the Audio Neutrality.
 About the mysery of audio DIY enthusiasm
 About the tweeters phase alignment.
 About TTH characteristic in Audio
 About vowelness and bubbleness of Sound
 Absolutely Transparent Stage and Audio Events
 An important thing about listening practice
 Are You On the Road to Audio Hell?
 Audio and Music: four levels of unity and separation or…
 Audio critique – open your mind!
 Audio must not use none-presentational evidences
 Color Theory 101
 Critique audio performance before acquire a new element.
 DBT - a signature of listening ignorance
 Deficiency of a sensible attitude in playback.
 Do not “compare” audio equipment.
 Do not pursue full-range without being ready.
 Don't evaluate audio by sound of "live" music.
 Further guidelines for Audio Neutrality...
 Goals of audio
 Here is where the key of High End
 High End Audio and musical content.
 How to build the best audio payback
 How to evaluate playback... or the Six-Leveled-Listening Benefits™
 I would shade some light about “abstract audio”
 Immediate Gratification by Surrogate Sonic Effects
 It is imposable to “hear distortions”.
 Learn to listen your listening rooms
 Macondo and not only Macondo positioning
 Matching audio to music: false
 Melquiades: too early for a verdict?
 My Audio Reviewing agenda.
 My old Fi-Hi gear associations...
 Naturally suck-sounding playback or Karaoke Playback Assessment
 Out-impedance and "bass"
 Playback evaluations made easy.
 Position your speakers anal-retentively.
 SET and speakers: disregard Volume
 Some explanations about "Engineering of Audio"
 Soundstage vs. spatial reconstruction via Soundstage’s inner-dynamic.
 Speakers: a hi-fi disaster.
 The “absolute tone” in drivers
 The “Implied Sound” in Audio.
 The “Inverted High End” ™
 The Active High Frequency Solution - AHFS
 The best audio system: my secrets are partially out.
 The corrupted listening culture.
 The nature of "soundstage" in audio.
 The realty of UHF and LF relation
 The Sound and How We Hear It
 The sound that could not be "sold".
 The trade show listening rules.
 The unintended consequences of the binaural things in Hi-Fi.
 Time Alignment : Live Performances vs Audio
 Upper-Sound of Upper-Importance
 Use absolute polarity as an early speakers test.
 Verify that you sources do not underperform.
 What does make a playback to stop?
 What you loose about tweeters...
 Why I hate the “Japanese Sound”
 You should expect to hear just the music
 Collection Organization (5)

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