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Site News: 17 May 2026

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Romy The Cat's Playback
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Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
Random Site's Threads
» Digital crossovers self-»
» Brahms [piano] Concerto »
» Audio vs. Musical pitch
» Beware of the "dipo»
» A random neutralness
» Analogue to digital conv»
» What is wrong with Dipol»
» NAT Audio Magna -160 Wat»
» A Frankenstein Macondo -»
» Small spaces
» The New sound of London »
» Herbie's Hal-O Tube Damp»
» It looks like a simple q»
» Soprano Sally Matthews.
» Shaky tubes, echo testing
» Wilson Audio Setup Proce»
» Steinway and Lyngdorf lo»
» Jessie Dazzle Project
» Micro RX5000: is that be»
» Playing American Music o»
» Audio critique – open yo»
» JBL 2226 2445 2405 3-way»
» Where is "Good enou»
» I need some advice and d»
» High Quality Music Serve»
» Boston Philharmonic Mahl»
» Bass impact on Turntable»
» Tape Machines
» Passive line level cross»
» NASA Reverberant Acousti»
» High-End Audio and ... p»
» Bose audio and industry »
» The Nationals Anthems
» Mitigating Undesired Hig»
» Available Blenders and S»
» Analog Transfer: the fir»
» The realty of UHF and LF»
» SET and speakers: disreg»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

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Classical events in Boston
AUG 1 BU Tanglewood Instit»
AUG 1 Danish String Quarte»
AUG 1 Light & Shade in Var»
AUG 1 Mozart: The Marriage»
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My Audio Leftovers
Lamm Industries M1.1 Mo»
Kenwood L-02T FM Tuner
Electro-Voice T350 twee»
Stage Acompany SA8535 d»
Altec 515B bass drivers
Pacific Microsonics Mod»
Musatex-TP Bidat 20-Bi»
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Micro-Seiki Arm Board
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