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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Injection Channel : JBL »
» Juana Zayas plays Chopin
» Do not “compare” audio e»
» What a week in Boston!
» 47 Lab new turntable and»
» About the undeveloped au»
» 6 Channel Version of Sup»
» The benefits of ultra hi»
» Romy Sells Out
» Beware of PurePower Part»
» Open Baffle Speaker Desi»
» About Moronism in Audio
» Getting Started with Mya»
» An amplifier for Tweeters
» Romy the Cat's Audio»
» Inner Groove Distortion »
» Amazing Altec 288 ++
» Wagner and loudness.
» A quest for a better mon»
» Bahnsen Horns + some fre»
» Dennis Colin's Sound Str»
» Natural Remedies for Sic»
» How Piazzolla should sou»
» Magico: Robert Harley’s »
» Okada’s installation.
» Middle step (non ultimat»
» Jessie Dazzle Project
» Got new mid/high horns. »
» VoES
» Be careful: Imaging vs. »
» Are Any Powerful Amps Wo»
» Any recommendations?... »
» Problems with horns: mid»
» A lucidly implemented di»
» Benjamin Britten’s Violi»
» Who makes horns? Archite»
» Altec A2
» Bruce Edgar dies
Bookmarked are red
The Leonard Cohen Files
Broadcast History
Art Songs and Librettos
Japanese Translator
BostonSymphony's Channel
Alexander Karpov’s “Next»
Twogoodears' Blog
Phono EQ
Furtwängler's conserts
Berkshire Record Outlet
Hickok Maintenance
The Tape Project
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Avalable Performances for Exchange
Notes: It’s in beta/prototype mode. Feel free to play with it no emails will go out.
You might need to logoff and then to re-login (just once) to be able use it..
.
  |  Problems?   |  Log-in   |  Submit available Performance   |  Performances Listing   |

The listed performances aren't available for sale. They’re offered only as an exchange for the recordings of your interest: would they be your transfers from souses that arn’t vacant otherwise or your “live” recordings from public air. In order to obtain listed performances you need to offer information about music you might offer and then to propose your performance as barter.


Submit recording information to Exchange Service   
Performance Information:
Performance Year:  
 Composer: or  
Title of composition:
Performer and Solist:
Conductor/Director/Chorusmaster:  
Orchestra/Group:  
Performance Location:
Commercial Availability:
Performance Rate:
Recording Information:
  Recorded Sampling Rate:
Recorded Resolution:
 Recorded File Type:
Recorded File Size: Megabytes 
Sound Quality:
Extra material within recording:
File was edited / post-processed:
Fragmentation:
Source of the recording:
Comments:

 

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