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» 60hz, GPA-515-8ghp horn.»
» Hideous American operas.
» Playback and chamber mus»
» Playback as an expressiv»
» A subwoofer of death, no»
» It is about timbres, stu»
» The best “Die Fledermaus»
» Micro Seiki DD30 Headshe»
» Horn length/expansion/gr»
» Josh: My visit to Romy t»
» A fundamentally faulty J»
» The "Lopsided"»
» Compression Drivers -in »
» SS Power Amps - the FoxN»
» Calamine Lotion From Tec»
» Meitner Audio - Ed Meitn»
» The 500-megawatt FM stat»
» Do not buy Brand and Mod»
» Placido Domingo... condu»
» A full-range quality-tri»
» The invisible sound barr»
» Class “D” – the industry»
» Tanglewood 2010
» My Audio Philosophy
» Listening Pipe Organ Mus»
» RIAA pole two = 501,12 Hz
» Time Alignment : Live Pe»
» My today’s views on LP c»
» How to read Romy the Cat»
» Playback and Perception »
» BW Broadcast RBRX Encore»
» VoES
» Bruckner, me and the Sev»
» CDs organisation methodo»
» De-stress not decompress»
» Why horn-loaded loudspea»
» Audio cabinet of curiosi»
» EMIA Phonostage.
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