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» The idiotism of Audio Sy»
» Problems with horns: twe»
» ... and some Bruckner bu»
» A book about Loudspeaker»
» Learning to interpret RTA
» October surprise. NY, NY»
» The contra-ridicules sol»
» Sansui TU-X1 Broadcast m»
» S3 on tractrix 260 graph.
» Any recommendations?... »
» The 60-inch LF driver.
» Pacific Microsonics Mode»
» GoodSoundClub – one year»
» RIP, Joan Sutherland, &q»
» The tools to listening s»
» Course & guide on ho»
» The “Primary Frequencies»
» Orphean horns / BMS driv»
» Silicone gel damping?
» Puccini: Tosca
» Mid-bass Hornresp (V51.3»
» MF on AF2, and (perhaps)»
» My trip to the Stereophi»
» The European Triode Fest»
» To move audio equipment »
» Like theese?
» About rationalism of twi»
» A world class deaf percu»
» An objective tool to tra»
» Magico new 5 ways idea. »
» A great production of th»
» I have a dream, the drea»
» Why second tonearm/cartr»
» Impossibility of commerc»
» Mid Bass horns help with»
» Cooperation for the comm»
» My Audio "Reviewing»
» Playing American Music o»
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Joachim Raff Society
IMSLP Music Library
Audiofederation's Blog
Exponential/Hyperbolic C»
Tin Lee Electronics
Electron Tube Data sheets
Hi-Fi Speakers Design
Thomas Dunker's Site
Japanese's HiFiDo
Western Electric manuals
Plasma Tweeters Site
Holger Klein's Soundpage»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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