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Random Site's Threads
» Bruckner 8 in Washington»
» The many sounds of a City
» Analogue to digital conv»
» Eighteen Sound ND1460A c»
» About the ownership of a»
» Okada’s installation.
» Buckner and Sun
» Remastering (and re-loca»
» Large La or Tratrix horn»
» Initial thoughts about n»
» Should I low pass the mi»
» Crossover Design
» Paradoxes of my Racism.
» EMM Labs hits… the chick»
» Natural Remedies for Sic»
» Boxed in horns
» A different type of uppe»
» 2012 Decca records from »
» My CES
» The unintended consequen»
» Not new, but VERY intere»
» THe Audio Critic Magazine
» Recommendation Bruckner »
» Electrovoice t350 repair»
» John Curl’s new phonosta»
» Sibelius VC; Furtwangler»
» Why second tonearm/cartr»
» Neumann Dummy Head.
» Orphean horns / BMS driv»
» Haliaetus: Dick Cheney’s»
» Truth stretched out via »
» High-End Audio: buy vs. »
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» Outdoor horns
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» Audio vs. Musical pitch
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» The “theories” about the»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
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NPR Classical Programs
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cellist lynn harrell has di»
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Classical Music News
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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Composer's Anniversaries
Dowland, John ( 1563-20 F»
Beck, Franz Ignaz (20 Febr»
Gyrowetz, Adalbert (Vojtec»
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de Bériot, Charles Au»
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Hullebroeck, Emiel (20 Feb»
Grainger, Percy Aldridge (»
Johansen, David Monrad (8 »
Weyrauch, Johannes (20 Feb»
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Takemitsu, Toru (8 October»
Domeniconi, Carlo (20 Febr»
Eatock, Colin (20 February»
Crutchley, Ian (20 Februar»
My Audio Leftovers
Micro-Seiki MAX-282 To»
Sansui TU-X1 Tuner
Hillock TV-2 tube tester
Lamm L2 Reference pream»
Mid-range tantrix round»
Ortofon Mono CG 25 Di c»
“Tree Blind Mice” colle»
Electro-Voice T350 twee»
Conscience of audio rev»
Pacific Microsonics Mod»
Vitavox S2/S3 diaphragms
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