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» Claude Perrier and his t»
» The Full (fuller) Range »
» The IDEAL horn system
» Transparent horns
» The new releases from &q»
» The new “little things” »
» Sound is like a proverbi»
» Romy, how does the origi»
» Reallocation of efforts:»
» Thomas Mayer’s Triamp
» Electrostatic tweeter fo»
» Macondo’s MiniMe or abou»
» High Definition Tape Tra»
» Revisiting DSP
» BiDat: One more output
» Single Driver speakers
» The FM Stereo and Multi»
» Yamaha B-2 V-FET amplifi»
» The Audio of 21 century:»
» The wonder of Ayre Acous»
» A need for Resolution /S»
» Volti Audio's Vittora
» State Symphony of Russia»
» HELP: I’m a line-level l»
» Macondo copying: Horns t»
» 3 ways how I listen to m»
» Dinsdale Horn Design Art»
» 3012, 312, M2-12 or ... ?
» DC offset for A/D conver»
» Greek Anima Loudspeakers
» Macondo and ALE drivers,»
» Russian mythology and Ho»
» The “bread and circus” o»
» VMPS RM V60 – kill me, b»
» Creative listening
» The benefits of ultra hi»
» Expressive Technologies »
» The 60-inch LF driver.
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Duke Classical
Piano Wizard
Clemens Krauss Archive
Electron Tube Data sheets
Sibelius Academy music l»
The Bruckner Discography
Vintage Audio Trader
ClassicalNet
Wolds Opera Broadcasts
Rachmaninoff Photos
Opera Collector Guide
Opera America
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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another trump blunder»
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‘the lost pianos of siberi»
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it’s (almost) business as »
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Musatex-TP Bidat 20-Bi»
LF Transformer for 6C33C
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SME M2 - 12" Tonearm wi»
Purist Audio Design Pro»
Koetsu Onyx Platinum Ca»
Vitavox S2/S3 diaphragms
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Electro-Voice T350 twee»
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