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» Gould's Piano
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» The commercial music ser»
» Building On "Accide»
» The Macondo’s Upper Bass»
» SS Power Amps - the FoxN»
» Expensive Audiophilism a»
» How to make a music pers»
» Shostakovich‘s "Suite on»
» I can't wait to read the»
» Middle step (non ultimat»
» Schubert's Dancing Cats
» Avantgarde method of cap»
» ... and some Bruckner bu»
» The road to less dummine»
» Mastodont DIY Rack: Wall»
» Ortofon MC Anna cartridg»
» Internet and electricity
» About the (secret) rules»
» Building a new music room
» Big room vs small room
» Hi from Melbourne, Austr»
» Thoughts on midbass horn»
» The Dvorák’s Tone P»
» The Full (fuller) Range »
» The optimum Sampling Rat»
» Think Denk and op.106
» Mid Bass horns help with»
» Basic guide to advanced »
» RAAL “Water Drop” tweete»
» For one day only
» If I start High-End Audi»
» Do not touch that used t»
» The Best Of Wiener Philh»
» A very good horns system.
» Who has best sound in Hi»
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Aria Database
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33+45=78
Takashi Asahina Group
Louis Speichler's Records
Berkshire Record Outlet
MetManiac Opera Archive
Michelangeli Discography
Vintage EV speakers
Toccata Classics
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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ESS AMT-1A Heil Air Mot»
Electro-Voice T350 twee»
Sansui TU-X1 Tuner
Vitavox S2/S3 diaphragms
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CEC TL-0 MK2 transport
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