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» A littlie D-War: Bidat v»
» Satisfying result: the R»
» A better way of approach»
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» Faberryman and the CES 2»
» Bass impact on Turntable»
» Surprising: the most int»
» Brahms [piano] Concerto »
» Stephen Hartkel, the goo»
» Flac 16bit/48Khz streami»
» A revolution for Executi»
» Some conical horns anti-»
» Magico: biological minde»
» More about Vienna Philha»
» Another 2005 CES standou»
» Celebrating Anton Bruckn»
» A CD player of today… 20»
» That is not 1812 and the»
» The cPlay software.
» SS Power Amps - the FoxN»
» SF audio gurus?
» High End Munich 2014 imp»
» Suggested target curves »
» 6C33C loading in Super M»
» Tube GU-29
» Macondo’s MiniMe or abou»
» The Melquiades bass chan»
» The “Right of Spring” – »
» Deep End DIY - Austral»
» JBL 2490 mid-range driver
» Opera “Boris Godunov”
» Balanchine’s “Pathetique”
» Don’t "use" VTA
» Alicia De Larrocha, Bach»
» Driver Alignment, and Wh»
» Http://goodsoundclub.com»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Moran, Robert (8 January 1»
Sprague, Frank (8 January »
Electro-Voice T350 twee»
Vitavox 330Hz Horn for »
Micro-Seiki MAX-282 To»
LF Transformer for 6C33C
Tribute Output Amorphou»
Lamm L2 Reference pream»
“Tree Blind Mice” colle»
Altec 808A compression »
Lamm Industries M1.1 Mo»
Rohde & Schwarz MSDC Mu»
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