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» November to remember… an»
» Learning to interpret RTA
» We who are about to die.»
» About the Playbacks’ Thi»
» Order your own music….
» Compression drivers saga
» How the things are getti»
» NASA Reverberant Acousti»
» Micro Seiki RX-5000 stat»
» Another "Top five t»
» Alicia De Larrocha, Bach»
» Is horn a natural shape?
» Does high-sensitivity sp»
» How to paint Multicell h»
» The elusive “absolute to»
» Mr. Kleen Stylus cleaner
» More about the EdgarHorn»
» Pacific Microsonics Mode»
» The Nimbus' Prima Voce b»
» The Trout - Perlman, Ba»
» Medici TV, interesting…
» Bose audio and industry »
» 6 Channel Version of Sup»
» Oistrakh(s) on Monitor M»
» Kitties go to London
» A quest for a better mon»
» To buy an SACD Player?
» The best audio source EV»
» Matching Playback Method»
» The best audio system: m»
» Abbado + Lucerne Festiva»
» Magico: biological minde»
» How to sell high-end aud»
» Problems with horns: mid»
» Orion Phono Preamplifier
» SET and speakers: disreg»
» The new “little things” »
» Small SET’s bass, beside»
Bookmarked are red
Wood Horn Speakers
The Music Parlour.
Haenssler Classic
Holger Klein's Soundpage»
Jim Moskowitz's Unknown »
Heart's Ease
Pjay's Speaker building »
Lenard's Opals monitor
Furtwängler's conserts
Parnassus Records
Neal's Recordings
Opera America
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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