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» Bad orchestras shell not»
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» If I were a High-End Aud»
» Label or map it religiou»
» Silicone gel damping?
» The LCR RIAA correctors
» Romy the Cat’s Audio Hom»
» The period DHT tubes and»
» Null-set dipole butterfl»
» Micro Seiki RX-5000 stat»
» Conductors and Audio Sou»
» Single Ended Pentode to »
» X-mas list
» DHT driver & input
» The industry’s high qual»
» Why people still sell co»
» Canadian Speaker Proposal
» High-End Audio, how to »
» Ca(r)t before the horse:»
» Wide dispersion horns
» The Trout - Perlman, Ba»
» Remastering (and re-loca»
» Balance
» Smetana's Piano Trio
» New CubeAudio Tractrix H»
» New, Transparent Speaker»
» I do not even know where»
» Playing music for visito»
» Playback evaluations mad»
» The Museatex Bidat pages.
» Fidelity Research FR-7
» 2010 Classical Grammy No»
» To play my 88/24 files o»
» Digi Redux; Drive 1 tran»
» Rach’s Prelude in C-shar»
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Classic Artc Showcase
Greg Sando’s Site
Austria's Musical Exiles
Tube World
Opera America
Dolmetsch Online
Audio Spot Kamani
Rradiomuseum
Duntech Audio loudspeake»
Parnassus Records
Tubecad publication
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Stage Acompany SA8535 d»
Rohde & Schwarz MSDC Mu»
Sansui TU-X1 Tuner
REL Precedent 646C tuner
Musatex-TP Bidat 20-Bi»
CEC TL-0 MK2 transport
Fane Studio 8 dual conc»
LF Transformer for 6C33C
Conscience of audio rev»
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