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» Passive line level cross»
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» Too damn loud?
» Wine, women, song.. and »
» The concrete midbass hor»
» It’s mad, mad, mad... e»
» The A=432 Hz Frequency
» How to make musicians to»
» The invisible sound barr»
» About Omnivorenes of Pla»
» Oistrakh(s) on Monitor M»
» It takes balls to shop (»
» Maria Callas’s Glory Day»
» The “Implied Sound” in A»
» About the (secret) rules»
» How idiots destroy sound.
» Calamine Lotion From Tec»
» About EAR 834P Modificat»
» What to do in office?
» Updated view: The Optima»
» Jean Hiraga’s cooking of»
» My Audio "Reviewing»
» Scientific vs. audio act»
» Belcea Quartet
» The Tenor amplifier and »
» Impressions from High En»
» Bruckner 8 in Washington»
» The Jeff Day’s Westminst»
» Brilliant audio Quotes.
» Got new mid/high horns. »
» Bad orchestras shell not»
» The Dog eat my CDs.
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Graeme's Speaker DIY Pag»
Phono EQ
Exotic Audio
Koussevitzky & BSO
ElecroVoice’s Vintage Pr»
WGBH alumni
Value of Records Tool
Paul's Antenna Attic
Composers Forum
Decca Classical discogra»
GEMM catalog
Tonal tests
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Altec 808A compression »
Koetsu Onyx Platinum Ca»
CEC TL-0 MK2 transport
Micro Seiki RX-5000
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Vitavox AK-15/40 15" ba»
Micro-Seiki Arm Board
Micro-Seiki MAX-282 To»
Musatex’s Bidat Model "»
Conscience of audio rev»
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