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» Dreams about Audio
» Kharma Loudspeakers reac»
» My reading for a “smalle»
» The best Third Movement »
» Here is my new tonearm.
» Crash course on horns an»
» How to play Mahler 7 at »
» The stunning “The Magic »
» Do the Filament Transfor»
» RIP Pauline Oliveros
» EMIA Phonostage.
» Deep End DIY - Austral»
» The iHorn - a passive a»
» Fidelity Research FR-7
» The ultimate buffer #2..»
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» Schimmel's Voxativ Ampeg»
» A quantum CD?
» Label or map it religiou»
» To Milq builders: correc»
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» Expensive Audiophilism a»
» Tannoy Red 1960s: some s»
» SET amplifiers
» Horn Enclosures & &q»
» Fun with transformers?
» The new G.I.P speakers.
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» Worcester Music 2009-201»
» The Hannes Kastner’ Tocc»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Hunt, Jerry (30 November 1»
Altec 515B bass drivers
Vitavox S2/S3 diaphragms
Stage Acompany SA8535 d»
Sansui TU-X1 Tuner
Ortofon Mono CG 25 Di c»
Musatex-TP Bidat 20-Bi»
Lamm L2 Reference pream»
ESS AMT-1A Heil Air Mot»
Lamm ML-2 Single-Ended »
Altec 808A compression »
Micro-Seiki air-suspend»
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