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» An Afternoon with Gary K»
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» Anybody building or usin»
» Other Ways of getting Sp»
» Future of high-end audio
» 6C41C – the journey to n»
» Observations and Thought»
» 2012 Decca records from »
» I think it is the end.
» Big room vs small room
» Middle step (non ultimat»
» Bruckner, Wind and the w»
» Horns and digital crosso»
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» The many sounds of a City
» MF on AF2, and (perhaps)»
» The best audio source EV»
» Günter Wand Intervi»
» Digital crossovers self-»
» Eventually I’ve seen a l»
» Creative listening
» High-End Audio and..... »
» About Harry Pearson lega»
» Solid state revisited
» Deep-cryogenically treat»
» Bye-Bye, Fane
» Why horn-loaded loudspea»
» PS Audio's digital appro»
» Mozart, Piano Concerto i»
» The Lieberson’s Neruda S»
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» A different breed of 6C3»
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» I wish I could speak Ger»
» Engineering over Art
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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