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» The Art of Pablo Casals,»
» The loudspeakers for a p»
» Mysterious Russian Tromb»
» CD Is Dead. CD Is Dead?
» The “Inverted High End A»
» Time Alignment : Live Pe»
» Problems with horns: twe»
» The “Dead Points of Live»
» Remembering Sound…
» Another topic on vitavox»
» My beloved Contraltos: k»
» Ultimate Turntable
» Can a ultimate playback »
» Phono stages with SU-1
» The last message of audi»
» Western Electric reprodu»
» Celebrating Anton Bruckn»
» 'Ideal' ceiling height? »
» "Something is rotte»
» Lavry vs Stahl -Tek
» A new generation of full»
» More or less pleasure: w»
» (Whose) classical music.»
» A quote from a Japanese »
» CD horn and JBL: Crossov»
» Practicality of paper ma»
» A beautiful miller's dau»
» Output transformer for b»
» Kalinnikov’s First Symph»
» Some Observations about »
» More power from Melquiad»
» RCA driver made in China
» Beethoven's Triple Conce»
» That is not 1812 and the»
» Bruckner, me and the Sev»
» The bizarre magnetized 6»
» The Sakuma's Show
» Vox Olympian secrets unv»
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The Bruckner Discography
Opera Collector Guide
Aria Database
Tuners Stereo Surgeons
Sound Tourism
The AHRC Research Centre
Tubecad publication
Hickok Maintenance
Greg Sando’s Site
Delta Entertainment
Appian Publications & Re»
Hermann Scherchen discog»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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