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» The global live televisi»
» The Melquiades' "Re»
» American National Record»
» The SACD and the Windows»
» Audio industry metaphor
» “Why horns”, years later.
» Johannes Brahms - Sympho»
» Floor reflections
» 12AX7 or?
» Hmmm... the sad truth ab»
» Benjamin Britten’s Violi»
» Expensive Audiophilism a»
» The Kato-san's Goto »
» An angry engineer...
» Vasily Petrenko in Bosto»
» Any good sounding AES/EB»
» Boxed in horns
» DA architecture: True M»
» Jonathan Valin smokes La»
» New set-up causing major»
» Story of my discovery - »
» Bliss
» Tokyo (Akihabra) Audio a»
» Correcting Filters and t»
» Trash your “full-rage”, »
» Tchaikovsky Symphony #4
» Middle step (non ultimat»
» What is High-End Audio?
» Sounds of Science
» TAS article: start of th»
» Yamaha 6681B
» Maxim Vengerov: Encore i»
» Evaluation of tractrix c»
» Hemp SR plug and listeni»
» Bruckner Sinfonie Nr.8, »
» Avantgarde Trio G3 Louds»
» Stands for Super Melquia»
» Where high-end audio sta»
Bookmarked are red
Perer Gulmann's Classica»
Musical Instrument Jokes
The Thiele-Small Loudspe»
Subito-Cantabile
Former Sirkorski Site
TubeTesters.info
Norman Lebrecht's blog
Vintage EV speakers
Pristine Audio Direct
Input Choke & Resonant C»
Koussevitzky & BSO
Lockwood Audio
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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