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» TOA monster sized compre»
» Curiosity about others. »
» What you do when you cat»
» Klipsch Jubilee horn
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» About the tweeters phase»
» The Andrew Rose’s “Prist»
» Minusk: a new Vibraplan?
» The Opera Room
» How does [Phaseplug Desi»
» Always check power-line »
» Weinberg String Quartet »
» “Zarathustra” amplifier:»
» RMAF 2008 observations, »
» Where is "Good enou»
» In appreciation of Koshka
» A new kid in the block: »
» Digital crossovers self-»
» The bizarre magnetized 6»
» New, Transparent Speaker»
» Crash course on horns an»
» Practicality of paper ma»
» The CD players must read»
» To hear Haydn for a firs»
» An amplifier for Tweeters
» The "artificially&q»
» Solid state revisited
» 47 Lab Digital
» Saying goodbye to the di»
» Micro RX 5000
» My today’s views on LP c»
» BiDat: One more output
» The “better speakers” to»
» The commercial music ser»
» Yet another Gould box se»
» The ultimate buffer – li»
» A CD off tune? The Big C»
» SME M2
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Bruce Edgar's Edgarhorn »
Pianist Yakov Kasman
WGBH's “Keeping Score”
Random Classics
Avie Records
Technical books online
Tahra Records
Rottenburger Museen
Glenn Gould Audio Archiv»
Tuner Information Center
Lenard's Opals monitor
Direct Drive TT
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APR 11 Benjamin Zander, con»
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Micro-Seiki Arm Board
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Tribute Output Amorphou»
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Kenwood L-02T FM Tuner
Sansui TU-X1 Tuner
Korvet “Egg” Tonearm
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