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» Moerch DP6 and DP8 “anis»
» Miniumum sample rate for»
» Midbass injection channel
» Tractrix Bass horn vs Sp»
» What is High-End Audio, »
» Ravel's Piano Trio; Rubi»
» Low output MC?
» Loenid Kogan
» The nature of "soun»
» The essence of High-End »
» Playback and operation o»
» A tribune to Transient E»
» Romy the Cat’s Audio Hom»
» Rullit Aero-8 driving – »
» Crash course on horns an»
» Yamamura's 6 ways
» Tube GU-29
» Do the Filament Transfor»
» JBL 2226 2445 2405 3-way»
» The “bread and circus” o»
» Upperbass horns – tone v»
» A question to DIY musico»
» Lamm LP2 phonostage: rev»
» My favorite video clips
» Digital crossovers self-»
» New source for old tuners
» Happy birthday Johann Se»
» The 6E5P tube data.
» My site and Your expecta»
» The dynamic range of our»
» Reviewing preamps by imb»
» Today’s SACD - music for»
» The industry’s high qual»
» I am thinking about anim»
» The FM Stereo and Multi»
» Input choke for Low Curr»
» Course & guide on ho»
» What is the difference b»
Bookmarked are red
Qualiton
Recording Technology His»
WGBH alumni
Adnan Arduman's site.
The Victor Victrola Page
The Cartridge Database
Club Abbadiani Itineranti
Technical books online
Loudspeaker Designer's G»
Virtuosos Discographies
DaVinciAudio Labs
Radiotron Designers Hand»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Sansui TU-X1 Tuner
REL Precedent 646C tuner
Musatex-TP Bidat 20-Bi»
Conscience of audio rev»
Altec 515B bass drivers
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“Tree Blind Mice” colle»
Electro-Voice T350 twee»
Ortofon Mono CG 25 Di c»
Rohde & Schwarz MSDC Mu»
Vitavox AK-15/40 15" ba»
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