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» Mini A7
» An idea of “Rain Wake-Up»
» Micro Seiki MAX 282 Ques»
» Reviewing preamps by imb»
» High-end audio: Absolute»
» Has anyone ever seen the»
» Do not “compare” audio e»
» We do not have an audio »
» Munich High End 2010
» Do not buy CDs mastered »
» CES – constant but fortu»
» A lucidly implemented di»
» Reel Machines :-O
» Lamm ml2 voltage 110v to»
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» "Seamless extended »
» Learning to interpret RTA
» Open letter to WGBH.
» Gospel, pop, jazz and co»
» Listening Pipe Organ Mus»
» More power from Melquiad»
» It is imposable to “hear»
» The Studio AU projects.
» Analog: a reduction of s»
» DHT driver & input
» Analogue to digital conv»
» Interesting diffuser sof»
» BiDat: One more output
» What is wrong with the A»
» A sad day in Greece.
» The Dvorák’s Tone P»
» Brian Cheney of VMPS
» Watching conductors of t»
Bookmarked are red
JE Labs
Electronics encyclopedia
Paul's Antenna Attic
Club Abbadiani Itineranti
Opera America
The Leonard Cohen Files
Lied and Art Songs
Exponential/Hyperbolic C»
Rottenburger Museen
The Handelmania Podcast
Pjay's Speaker building »
Max Robinson’s “Fun With»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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another trump blunder»
from concerts to cartoons:»
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ethel smyth, a composer lo»
classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
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Vitavox S2 Compression »
Lamm Industries M1.1 Mo»
Lamm L2 Reference pream»
Pacific Microsonics Mod»
Electro-Voice T350 twee»
Micro Seiki RX-5000
Purist Audio Design Pro»
Micro-Seiki air-suspend»
SME M2 - 12" Tonearm wi»
Korvet “Egg” Tonearm
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