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» Kristian Zimerman BBC in»
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» BiDat: One more output
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» Not new, but VERY intere»
» My trip to the Stereophi»
» Maxim Vengerov: Encore i»
» If you’re multiamping th»
» Thoughts on midbass horn»
» The “guest musician opin»
» Ravel's String Quartet; »
» Learning to interpret RTA
» What is the best or rule»
» Compression Drivers -in »
» Future of high-end audio
» The Studio AU projects.
» A request to all members»
» Disregard Digital with V»
» Russian variant amplifier
» Too damn loud?
» Our Fuzzy Pussies, Audio»
» The jump-start of loudsp»
» Who owns what in FM
» A contemporary AD1 Triod»
» Training amplifiers
» I'm omnivorous... am I i»
» Macondo's Axioms: Horn-l»
» Deficiency of sensible a»
» Flac 16bit/48Khz streami»
» An angry engineer...
» Happy New Year
» Schimmel's Voxativ Ampeg»
» Buying a last cartridge.
» Parts As Facilitators or»
» Wanted Vitavox S2 Origin»
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Max Robinson’s “Fun With»
Opera Collector Guide
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Boston Philharmonic Orch»
Wolds Opera Broadcasts
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Tchaikovsky's Compositio»
Holger Klein's Soundpage»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
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LF Transformer for 6C33C
Purist Audio Design Pro»
Korvet “Egg” Tonearm
Musatex’s Bidat Model "»
CEC TL-0 MK2 transport
Micro-Seiki Arm Board
Vitavox AK151 15" bass »
Rohde & Schwarz EU-6201»
Stage Acompany SA8535 d»
Sansui TU-X1 Tuner
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