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» Balanchine’s “Pathetique”
» The most promising “best»
» An idea of “Rain Wake-Up»
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» MTT’s Mahler at 180 ghra»
» Stephen Hartkel, the goo»
» Don Quixote BSO Live tod»
» Tokyo Opera City Concert»
» Natural Remedies for Sic»
» 6C33C loading in Super M»
» Using chairs as phase ra»
» The audiophile’s stupid »
» ELROG tubes sinked but s»
» Output transformer for b»
» A fresh take on 9th by t»
» Lamm’s new phonostage.
» Ortofon MC Anna cartridg»
» Relief from micro-arcing»
» Mystery of bass horn cal»
» Michelin horns
» Contact-free volume cont»
» Bruckner Ninth and the W»
» The single-ended pretens»
» High End Audio and music»
» The New sound of London »
» Impressions from High En»
» San Francisco in Februar»
» Soundsmith’s analog idea»
» Rcf n850
» 250 watts Parallel S.E. »
» DVD for pop, SACD for cl»
» SS Power Amps - the FoxN»
» About the (secret) rules»
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» Happy New Year
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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he wasn’t toscanini, but h»
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My Audio Leftovers
Rohde & Schwarz EU-6201»
Stage Acompany SA8535 d»
Vitavox AK151 15" bass »
Fane Studio 8 dual conc»
Micro-Seiki air-suspend»
Lamm Industries M1.1 Mo»
Micro Seiki RX-5000
Korvet “Egg” Tonearm
Altec 515B bass drivers
Lamm L2 Reference pream»
Vitavox 330Hz Horn for »
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