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» High-End Audio, DPoLS -»
» The Krell’s cursed Sound»
» What is the best or rule»
» What is High-End Audio?
» S3 on tractrix 260 graph.
» About the Critical Audio»
» Make Your Own Horns
» The new FM Classical sce»
» An amplifier for Tweeters
» Lecture on history of ar»
» RMAF 2008 observations, »
» Tannoy Red 1960s: some s»
» State Symphony of Russia»
» The Andrew Rose’s “Prist»
» More about Vienna Philha»
» Lavardin discovery
» BiDat: One more output
» GM70 vs. 6C33C
» The “bread and circus” o»
» How Mussorgsky should so»
» The sound compromises of»
» Romy...thoughts on Lamm »
» Audio critique – open yo»
» What is High-End Audio, »
» The New sound of London »
» About destiny of “High-E»
» The Free Intent Audio Jo»
» Nice pair of S2s on eBay»
» Driver tubes, grid leak »
» PS Audio's digital appro»
» New sample 24/96 downloa»
» Why the tubes shall be t»
» Is it the time to change»
» Vitavox 12 cell Horns + »
» A sad day in Greece.
» Chesky's violin concerto
» Horn Speaker Leftovers f»
» Another 2005 CES standou»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Räihälä, Os»
Vitavox S2/S3 diaphragms
Micro-Seiki air-suspend»
Rohde & Schwarz EU-6201»
Micro-Seiki Arm Board
REL Precedent 646C tuner
“Tree Blind Mice” colle»
Rohde & Schwarz MSDC Mu»
Vitavox S2 Compression »
Vitavox AK-15/40 15" ba»
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Sansui TU-X1 Tuner
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