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» John Curl’s new phonosta»
» Remastering (and re-loca»
» The leather-suspended dr»
» Romy, how does the origi»
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» How to build the best au»
» The Opera Room
» Afraid loudspeakers that»
» Vinyl Ceremonies: Repeat»
» Write your own ploy of t»
» Internet and electricity
» Rach’s Prelude in C-shar»
» Maria Callas’s Glory Day»
» Hildegard von Bingen on »
» Experimental horn
» The New Year Concerts wi»
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» The corrupted listening »
» Lowther Driver
» BiDat: One more output
» Chinese upperbass horn.
» The WHRB’s Rimsky-Korsak»
» Tokyo (Akihabra) Audio a»
» Optical Cartridge: groun»
» Remedies the Beauty
» A strange urge.
» Why people still sell co»
» Making of a Steinway.
» The jump-start of loudsp»
» The LCR RIAA correctors
» The A=432 Hz Frequency
» Where is the real Russia»
» Romy The Cat's new Liste»
» Anybody using vacuum hol»
» Loenid Kogan
» About the life-expectanc»
» Micro Seiki RX-5000 stat»
» Faberryman and the CES 2»
Bookmarked are red
Jim Moskowitz's Unknown »
Duke Classical
Rachmaninoff Society
Art Songs and Librettos
Musical Instrument Jokes
WGBH's “Keeping Score”
Input Choke & Resonant C»
NPR's SymphonyCast
GEMM catalog
FM Radio Query
Hub Arts
33+45=78
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro-Seiki Arm Board
Altec 515B bass drivers
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