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» SME M2-12 tonearm
» Rim drive?
» My Analog Playback: the »
» The John Barbirolli’s wi»
» How to mitigate the expe»
» Okada’s installation.
» Aporia - Silbatone Acous»
» Musique Concrete horns
» The commercial music ser»
» Lamm ml2 voltage 110v to»
» Bye-bye Studer…
» My playback: what is nex»
» The Macondo’s Upper Bass»
» The “Right of Spring” – »
» Hørning prøble»
» Oliver Sacks' "Musi»
» The Milq’s power supplie»
» Tightening to loosening »
» The high-end audio, as i»
» Outdoor horns
» A new beast from JBL: Ev»
» First order filtration a»
» Berlioz Requiem / Pavaro»
» A CD off tune? The Big C»
» Dedicated horn loaded mi»
» The invisible sound barr»
» The Ridiculous Japa-Braz»
» Rach’s Prelude in C-shar»
» Stupid SME question abou»
» About the tweeters phase»
» Low output MC?
» DBT - a signature of lis»
» The “Inverted High End A»
» A longer turntable belt.
» If you've never heard th»
» Music and Arts of Americ»
» Thinking about Bruckner »
» Better chassis design fo»
Bookmarked are red
Wolds Opera Broadcasts
Adnan Arduman's site.
Vladimir Lamm Site
Lockwood Audio
Koussevitzky & BSO
Nubes Partem
Hickok Maintenance
American Broadcasting
The National Valve Museum
About FM Antennas
Stereopal
Exponential/Hyperbolic C»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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