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» EnABL: Just a note to aw»
» The “Primary Frequencies»
» Ultimate MF compression »
» The new FM Classical sce»
» Drama vs. Chic
» Rakeshorns
» Lamm LP2 phonostage: rev»
» Corner Speakers for a ne»
» The decentralization and»
» Summary: my/your audio: »
» Alicia De Larrocha, Bach»
» Macondo 2.0?
» Curiosity about others. »
» The BEST bass cable?
» Stupid SME question abou»
» Ca(r)t before the horse:»
» Tape Machines
» About the pre-warming of»
» DIY LCR phono
» Think Denk and op.106
» Magico Model 6 loudspeak»
» First Order on Bass chan»
» 3012, 312, M2-12 or ... ?
» To buy an SACD Player?
» Roomy the cat is going t»
» 5-ways from Speedysteve7
» An interesting Russian p»
» Sound from behind a wind»
» It is imposable to “hear»
» Balance
» The low-power SET and de»
» The exaggerated boots un»
» Ultimate Turntable?
» Beethoven IX and Fü»
» Crash course on horns an»
» Smyth Research Realiser »
» The most interesting hor»
» Correcting Filters and t»
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Electron Tube Data sheets
Clemens Krauss Archive
Good-Music-Guide
Martha Argerich Site
BachTrack
Parnassus Records
Valves Collection
Sibelius Academy music l»
Tubecad publication
Greg Sando’s Site
Hughs Ominous Tubes
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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