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» Story of my discovery - »
» Glorious HDMI Cable.
» Interesting non horn spe»
» A single worst thing in »
» Experience Music Horn In»
» Digital crossovers self-»
» Too damn loud?
» Brahms Double Concerto
» Coconut
» Kevin Puts, American Com»
» A proper implementation »
» Bartok piano works
» Playback and chamber mus»
» How to build the best au»
» BSO and 192kps
» Hmmm... the sad truth ab»
» The 5-ways from Germany.
» Achingly Beautiful Arias
» Ways to use audio method»
» Multiple EQ curves of A»
» Integrated sound field o»
» What is High-End Audio, »
» My new “New” listening r»
» Vitavox S2 coupling
» DRU Tube for Melq’s HF c»
» Eat your heart out, Mr. »
» The concrete midbass hor»
» The one-stage Melquiades.
» SET and speakers: disreg»
» What you do when you cat»
» RAAL Dipole Ribbon Tweet»
» Ode to joy
» Children's playground in»
» Some evidence for the ch»
» Maxonic drivers from Jap»
» An idea of Individual Re»
» A world class deaf percu»
» The best audio source EV»
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Recording Technology His»
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Hughs Ominous Tubes
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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it’s (almost) business as »
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Micro Seiki RX-5000
Sansui TU-X1 Tuner
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Korvet “Egg” Tonearm
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Micro-Seiki MAX-282 To»
Rohde & Schwarz EU-6201»
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