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» The dynamic range of our»
» Musicians' ear
» Gould's Piano
» Watching conductors of t»
» The most interesting hor»
» The Ridiculous Japa-Braz»
» Boston and Bruckner
» Dick Burwens "low c»
» Macondo and ALE drivers,»
» How audio started….
» Claude Perrier and his t»
» Why GOTO do not care abo»
» Auro, reverb injection, »
» Perspective?
» The UnipheyeMusic and St»
» Not new, but VERY intere»
» Electrostatic Sub Horn
» Mid-bass Hornresp (V51.3»
» Relief from micro-arcing»
» Compression drivers saga
» One of the Best Mozart R»
» Sick CEC TL0
» Where the FM quality com»
» The Sound assessment rec»
» Ophelie Gaillard renders»
» Performance of a week.
» Dream Hi-Eff Speakers fo»
» Floor reflections
» I hate, hate, hate, hate»
» Tweeters: the most misus»
» Ludwig van Beethoven &qu»
» Audio Enigma Variation
» The path of simplificati»
» Listening Pipe Organ Mus»
» A minor Audio depression»
» Lower cost horn loaded a»
» About the pre-warming of»
» Stage Music: get clew.
Bookmarked are red
Wolds Opera Broadcasts
Pristine Audio Direct
Lockwood Audio
Michelangeli Site
Classical Composers
Direct Heated Rob
Phono EQ
Exotic Audio
The Cartridge Database
BostonSymphony's Channel
Dolmetsch Online
Tempo-Electric - Arthur »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Hillock TV-2 tube tester
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Korvet “Egg” Tonearm
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Purist Audio Design Pro»
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Koetsu Onyx Platinum Ca»
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