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» I think my Dynavector 10»
» MF on AF2, and (perhaps)»
» The BEST bass cable?
» Hickok Tube Testers: Qui»
» CDs organisation methodo»
» Audiophiles are Happy or»
» Do not over-damped your »
» Bach's performing space.
» Greeting every one
» A revolution for Executi»
» Big room vs small room
» Maria by Callas
» Radiation patterns match»
» UHF capable tweeters and»
» Label or map it religiou»
» Wide dispersion horns
» Remote control - the ult»
» "O Vitavox, Vitavox»
» The Absolute Sound of Au»
» The Color of Bass
» Wharfedale Super 12/RS/D»
» Pacific Microsonics Mode»
» What is wrong with Dipol»
» Micro Seiki SZ-1T
» Does Reference Recording»
» Additive capacitance: mi»
» Danley's optimised paral»
» German Odeon horns.
» Antelope: might be an in»
» Learning to interpret RTA
» Bookshelf Horns
» Initial thoughts about n»
» Khachaturian anyone?
» The Active High Frequenc»
» What are the effects of »
» Direct to Disc: The Brah»
» 6C33C myths: audio Moron»
» Macondo’s MiniMe or abou»
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Direct Drive TT
Classical Composers
Broadcast History
Doremi CD label
Lied and Art Songs
Alexander Karpov’s “Next»
Audiomisc
Willem Mengelberg discog»
Tuners Stereo Surgeons
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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CEC TL-0 MK2 transport
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