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Random Site's Threads
» Rach’s Prelude in C-shar»
» A quantum CD?
» Brahms [piano] Concerto »
» Bruckner, me and the Sev»
» Munich High End 2011
» SET and speakers: disreg»
» Revisiting DSP
» Custom enclosure?
» Additive capacitance: mi»
» Micro RX 5000
» Cats and hifi
» Brian Cheney of VMPS
» Dunlavy SC++ loudspeaker»
» Tannoy's Flagship by Jef»
» Myth: High-efficiency L»
» To Rip or not to Rip.
» “Hearing Modernity” at H»
» Audio Quality Matters in»
» Vintage Altec drivers / »
» Metal domes
» New bottlehead dac
» The one-stage Melquiades.
» To hear Haydn for a firs»
» Shall quality-price be r»
» D'Agostino/Momentum SS M»
» Conductors and Audio Sou»
» New set-up causing major»
» Introduction to “Melquia»
» Bliss
» National Youth Orchestra»
» Paradoxes of my Racism.
» A turntable platter as a»
» High End Munich 2023
» A new 'chic' foolishness»
» Reflex enclosures used a»
» Joël Durand Intervi»
» Tchaikovsky's Nutcracker»
» The power AC Outlets?
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Mokranjac, Stevan (9 Janua»
My Audio Leftovers
Musatex-TP Bidat 20-Bi»
Micro Seiki RX-5000
Musatex’s Bidat Model "»
Altec 515B bass drivers
Vitavox S2/S3 diaphragms
REL Precedent 646C tuner
Vitavox AK151 15" bass »
Korvet “Egg” Tonearm
Rohde & Schwarz MSDC Mu»
CEC TL-0 MK2 transport
Tribute Output Amorphou»
More Leftovers »»