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» The "mystery&am»
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» Lamm ML2.1 "No long»
» Bruckner 8, WDR and Manf»
» Macondo copying: Horns t»
» 3012, 312, M2-12 or ... ?
» Macondo’s lowest channel.
» Not new, but VERY intere»
» Eq for 78's
» Afraid loudspeakers that»
» Perspective?
» Weiss Engineering DAC202
» Micro Seiki SX 111FV Pla»
» Should I low pass the mi»
» Reinforced live sound in»
» Kalinnikov’s First Symph»
» The dynamic range of our»
» Horn speaker with dipole»
» James Levine takes a gre»
» The "Nubianco"»
» Computer Audio - like ev»
» Performance of a week.
» Bravo Brahms, Bravo Wand»
» The “Melquiades” Sound -»
» Kristian Zimerman BBC in»
» The Thomas Blumenhofer’s»
» A fundamentally faulty J»
» Computer Audio
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» How to make musicians to»
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» Copland/BSO/Copland
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Bookmarked are red
Great Plains Audio
Dazy Web Labaratory
Lenard's Opals monitor
Classical Music Streams
DaVinciAudio Labs
Furtwängler's conserts
Wiener Philharmoniker Di»
Radiotron Designers Hand»
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Spinning Dog Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Rohde & Schwarz MSDC Mu»
Vitavox S2/S3 diaphragms
Lamm ML-2 Single-Ended »
Pacific Microsonics Mod»
Vitavox AK151 15" bass »
Rohde & Schwarz EU-6201»
Conscience of audio rev»
Micro Seiki RX-5000
Ortofon Mono CG 25 Di c»
Purist Audio Design Pro»
Lamm Industries M1.1 Mo»
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