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» Chopin's Waltzes, Witold»
» Ravel's String Quartet; »
» Available Blenders and S»
» An amplifier for Tweeters
» Benjamin Britten’s Violi»
» Alicia De Larrocha, Bach»
» Problems with horns: upp»
» What drives your musical»
» A tribune to Transient E»
» The Hannes Kastner’ Tocc»
» Mozart: "Cosi Fun T»
» The “Implied Sound” in A»
» How to insert youtube vi»
» Van den Hul 's Grail
» New nanotube speaker tec»
» Horn-Kultur 5-Way from G»
» SF audio gurus?
» A full-range quality-tri»
» CATS Purring tempo, slid»
» EMI rollercoaster across»
» High-end audio: Absolute»
» An interesting comment, »
» Bye-Bye Reel
» How to make a music pers»
» Another topic on vitavox»
» A new amplifier from Aud»
» Deficiency of sensible a»
» Pop-music as a side-disc»
» Avantgarde method of cap»
» The Absolute Sound of Au»
» The “guest musician opin»
» Crossover Design
» To Rip or not to Rip.
» Audiophile Re-issues: Wh»
» The best 20 hz bass horn
» Beethoven IX and Fü»
» Problems with horns: twe»
» RIP Oscar Peterson
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Piano Wizard
Irvington Music
Rottenburger Museen
Professional Audio Calcu»
Vladimir Lamm Site
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Art Songs and Librettos
Holger Klein's Soundpage»
Exponential/Hyperbolic C»
Classical Music Forum
Vintage Audio Trader
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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van Roosendael, Jan Rokus »
de Groot, Jan Rokus (6 May»
Vitavox S2 Compression »
Musatex’s Bidat Model "»
Vitavox AK151 15" bass »
Electro-Voice T350 twee»
Lamm Industries M1.1 Mo»
Korvet “Egg” Tonearm
Altec 808A compression »
LF Transformer for 6C33C
Sansui TU-X1 Tuner
ESS AMT-1A Heil Air Mot»
Micro-Seiki air-suspend»
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