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» Tube GU-29
» Optical Cartridge: groun»
» Reallocation of efforts:»
» Starting from scratch - »
» The tapped horns: cons, »
» Bach and kids…
» Disregard Digital with V»
» The objectives of Einste»
» A multi-tier audio contr»
» Upperbass horns – tone v»
» Unexplained haunting exp»
» Matching Playback Method»
» About Wilson Audio Louds»
» Do not buy CDs mastered »
» Practicality of paper ma»
» CDs: good tendencies.
» About DSET-driven multi-»
» Valve Technology Timeline
» Auro, reverb injection, »
» Worcester Music 2009-201»
» EMIA Phonostage.
» A fresh take on 9th by t»
» Tosca, Aida, Madama Butt»
» The "artificially&q»
» A[nother] Cautionary Tal»
» Playback and operation o»
» Boulez' LF-Injected Vers»
» The Active High Frequenc»
» Trinnov amplitude and im»
» New nanotube speaker tec»
» Balanchine’s “Pathetique”
» Try something unusual an»
» Paganini's Daemon : A Mo»
» EMI rollercoaster across»
» Macondo’s MiniMe or abou»
» Future of high-end audio
» Computer Audio
» The A=432 Hz Frequency
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Hughs Ominous Tubes
Alexander Karpov’s “Next»
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Western Electric manuals
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Rottenburger Museen
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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Rohde & Schwarz MSDC Mu»
Fane Studio 8 dual conc»
Micro-Seiki Arm Board
Kenwood L-02T FM Tuner
Musatex-TP Bidat 20-Bi»
Stage Acompany SA8535 d»
Micro Seiki RX-5000
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