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» I think it is the end.
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» The DSET perspective exa»
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» New Shalin Liu Performan»
» My new favorite "Ne»
» Back chamber
» Oistrakh(s) on Monitor M»
» Horn placements - horns »
» Playing music for visito»
» Remembering Sound…
» Lecture on history of ar»
» Integrated sound field o»
» Tannoy Red or Gold monit»
» Evaluation of tractrix c»
» Borbely Audio Take on 6C»
» Lutoslawski Concerto for»
» 3012, 312, M2-12 or ... ?
» New set-up causing major»
» The Art of Pablo Casals,»
» How to manage the digita»
» Commentary on Joe's »
» Placido Domingo... condu»
» The objectives of Einste»
» Radiation patterns match»
» DIY multicellular horn
» The real goals of sound »
» Is any interesting audio»
» 6 Channel Version of Sup»
» EdgarHorn Speaker Project
» A quest for a better SET.
» From Newton to Einstein
» Using chairs as phase ra»
» Deficiency of sensible a»
» If you are in Bruckner: »
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ECC99 - 6C33C SET
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Duntech Audio loudspeake»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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Nelson, Ron (14 December 1»
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Ortofon Mono CG 25 Di c»
Micro-Seiki air-suspend»
Vitavox AK-15/40 15" ba»
Stage Acompany SA8535 d»
Vitavox AK151 15" bass »
Pacific Microsonics Mod»
Mid-range tantrix round»
Altec 808A compression »
CEC TL-0 MK2 transport
Sansui TU-X1 Tuner
Musatex’s Bidat Model "»
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