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» To hear Haydn for a firs»
» Tanglewood 2010
» Hans Deutsch active acou»
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» Some nice horns from Gre»
» The Absolute Sound of Au»
» A horrible re-performanc»
» A synonym of audio revie»
» Wich melquiade?
» About Single Driver Spea»
» Some thoughts about bass»
» Why horn-loaded loudspea»
» The Sound assessment rec»
» Vox Olympian secrets unv»
» Pro Audio: JBL SR-4735X
» Harry Pearson new round »
» The experiments with rem»
» Records Box Stuffing
» How to read Romy the Cat»
» Targeted Audio Listening»
» Lithuania enters the gam»
» Grid bias power supplies
» Analog vs. Digital... wi»
» Rightsizing from extreme»
» Tweeters: the most misus»
» Natalia Gutman (!) in Bo»
» Kalinnikov’s First Symph»
» Terminal Velocity? Smart»
» The Engström & »
» A multi-tier audio contr»
» Initial thoughts about n»
» Horns with contra-profil»
» Listening rooms and comp»
» The Edgarhorn RTA respon»
» MBS Platinum ADC
» Preamp/linestage recomme»
» Midbass injection channel
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George Szell discography
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Conductor’s Corner
Glenn Gould Audio Archiv»
Hermann Scherchen discog»
Linkwitz's "Laboratory"
Exponential/Hyperbolic C»
Eugene Ormandy Pages
John Lenard Burnett's si»
MetManiac Opera Archive
Toccata Classics
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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another trump blunder»
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it’s (almost) business as »
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REL Precedent 646C tuner
Micro-Seiki air-suspend»
Fane Studio 8 dual conc»
Conscience of audio rev»
Lamm ML-2 Single-Ended »
Ortofon Mono CG 25 Di c»
“Tree Blind Mice” colle»
Musatex’s Bidat Model "»
Musatex-TP Bidat 20-Bi»
Micro-Seiki Arm Board
Sansui TU-X1 Tuner
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