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» A slightly crazy idea fo»
» Memories of audio elemen»
» Macondo copying: Horns t»
» How much does it cost to»
» Analog is Back 2011: Wav»
» “Hearing Modernity” at H»
» Bravo Brahms, Bravo Wand»
» Some Horns propaganda
» A different type of uppe»
» Rejection of non-natural»
» Bartok piano works
» Music reviews are writte»
» The funny Internet audio»
» 'Ideal' ceiling height? »
» William Ralston Listenin»
» Beware of PurePower Part»
» A longer turntable belt.
» Benjamin Britten’s Violi»
» Celibidache / bruckner
» Deep End DIY - Austral»
» The dynamic range of our»
» It is imposable to “hear»
» Impulse response, short »
» RCA’s Sound And The Story
» Proximity of horn’s cros»
» Problems with horns: upp»
» Miniumum sample rate for»
» Smetana's Piano Trio
» Compression drivers and »
» Wet/Dry ™ configuration »
» Weinberg String Quartet »
» The great pianist Earl W»
» The not-so-big listening»
» 2012 Decca records from »
» "Zaratustra II"»
» About “strangeness” of A»
» Relief from micro-arcing»
» Prices in High-End Audio.
Bookmarked are red
Hub Arts
Scriabin's Sonatas
Technical books online
Max Robinson’s “Fun With»
Paul's Antenna Attic
Higherfi.com
Linkwitz's "Laboratory"
Jim Moskowitz's Unknown »
OboinaThor
Rachmaninoff Photos
Rachmanionoff's links
Unofficial Vitavox Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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LF Transformer for 6C33C
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Purist Audio Design Pro»
Koetsu Onyx Platinum Ca»
Ortofon Mono CG 25 Di c»
Micro-Seiki MAX-282 To»
Korvet “Egg” Tonearm
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