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» Wagner and loudness.
» It was seventy years ago»
» The “Implied Sound” in A»
» Think how a playback com»
» How to play Bruckner Sou»
» The tools to listening s»
» Software for collection »
» From GoodSoundClub, with»
» Jonathan Weiss Introduce»
» Russian Orthodox liturgy»
» Altec cabinet: 815a
» Macondo Frame modificati»
» DSET phoned home?
» The SACD and the Windows»
» RMAF 2008 observations, »
» Got new mid/high horns. »
» Maxim Vengerov: Encore i»
» Interesting use of Lunda»
» Cooperation for the comm»
» New Horn Speaker Manufac»
» Bid Midbass Asian Horns
» Wich melquiade?
» Engaging the David Haign»
» The Full (fuller) Range »
» Janine Jansen Violin
» Micro Seiki SX777 Air Re»
» My trip to the Stereophi»
» Do not touch that used t»
» Sound from behind a wind»
» Romy...thoughts on Lamm »
» Stop buying the records »
» Reel Machines :-O
» DSET and Cables.
» The contra-ridicules sol»
» The most ridicules symph»
» Crossover or non-crossov»
» The iHorn - a passive a»
» The realty of UHF and LF»
Bookmarked are red
Professional Audio Calcu»
Boston Philharmonic Orch»
Dolmetsch Online
Austria's Musical Exiles
Tin Lee Electronics
AudioTools
Opera America
Thunderstone Audio Websi»
The Gustav Mahler Board
Tonal tests
Rradiomuseum
Audio Anthology
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox AK151 15" bass »
Ortofon Mono CG 25 Di c»
Altec 515B bass drivers
Electro-Voice T350 twee»
Purist Audio Design Pro»
Musatex’s Bidat Model "»
REL Precedent 646C tuner
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“Tree Blind Mice” colle»
Sansui TU-X1 Tuner
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