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» Signal variation, noise,»
» Avantgarde Trio, Roy Gre»
» Gospel, pop, jazz and co»
» Acoustics of Avery Fishe»
» The ultimate buffer – li»
» The cut or not to cut, t»
» The 60-inch LF driver.
» Another interesting corr»
» My (Amplification + Acou»
» What drives your musical»
» Grid bias power supplies
» An angry engineer...
» RIP Henryk Mikolaj G»
» The one-stage Melquiades.
» A “pocket version” of Br»
» Philmundi Story about ho»
» Where high-end audio sta»
» Relief from micro-arcing»
» Le C'leach horn rear cha»
» A revolution for Executi»
» How does it sound?
» Fantasies about 10Y
» Janine Jansen
» The new G.I.P speakers.
» Bruckner 9 live in 30 mi»
» Speaker hunting
» Mozart, Piano Concerto i»
» Focal-Jmlab – the Utopia»
» Constant directivity = c»
» CES 2006
» Furtwangler War Years Re»
» Graphene for Audio
» Tschaikowsky, [Violin] C»
» Today’s SACD - music for»
» Lavardin discovery
» Lamm introduced LL1 Sign»
» Romy stalked me on the f»
» Melquiades (D-Set) parts»
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Russian Music in 20th Ce»
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Exponential/Hyperbolic C»
Norman Lebrecht's blog
The Leonard Cohen Files
High-Tech Hi-Fi
Rachmaninoff Society
The Victor Victrola Page
Irvington Music
Boston Philharmonic Orch»
Sound Tourism
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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SME M2 - 12" Tonearm wi»
Electro-Voice T350 twee»
REL Precedent 646C tuner
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Sansui TU-X1 Tuner
Micro Seiki RX-5000
LF Transformer for 6C33C
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