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» Don't evaluate audio by »
» The sound compromises of»
» The single-ended pretens»
» Analog Transfer: the fir»
» SET and speakers: disreg»
» Rubinstein at Carnegie H»
» The dynamic range of our»
» Stop buying the records »
» Dual channel SET
» An ultimate horn profile?
» TAS article: start of th»
» LLoyd Walker Never Rests
» Rachmaninoff Piano Conc»
» Don't evaluate audio by »
» Performance of a week.
» About the Playbacks’ Thi»
» Speakers: a hi-fi disast»
» Macondo Alternation. Ext»
» The Silence of the Lamms!
» Polish Autotech steps up»
» Puccini: Tosca
» Barn Conversion - James'»
» Tchaikovsky: Symphony No»
» The short "6C33C Su»
» The “bread and circus” o»
» A new amplifier from Aud»
» Orion Phono Preamplifier
» New Shalin Liu Performan»
» Nothing to read.
» DIY LCR phono
» Output transformer for b»
» Sonic consequences of re»
» It's might be anothe»
» Why the tubes shall be t»
» How many Bits needed for»
» The Evolution (or Anti-E»
» Convergent Legend Preamp»
» First Bruckner listening»
Bookmarked are red
Clemens Krauss Archive
Tchaikovsky's Compositio»
Toccata Classics
Input Choke Calculator
Furtwängler's conserts
Dazy Web Labaratory
OboinaThor
High-End Audio
StateWork Broadcast Reco»
Appian Publications & Re»
Wood Horn Speakers
Michelangeli Discography
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
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another trump blunder»
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Lamm L2 Reference pream»
“Tree Blind Mice” colle»
Sansui TU-X1 Tuner
ESS AMT-1A Heil Air Mot»
Ortofon Mono CG 25 Di c»
Rohde & Schwarz MSDC Mu»
Tribute Output Amorphou»
Electro-Voice T350 twee»
Micro Seiki RX-5000
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