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» Fun with transformers?
» It is imposable to “hear»
» 7788 tube mic pre design
» Nicolai Golovanov
» The WHRB Wagner’s Ring C»
» High-End Audio and ... c»
» The ULF cannel for my ne»
» High-End Audio Topologie»
» Red Violin Concerto
» Nanse Gum and his Euro-A»
» Back chamber
» Accuracy vs. Musicality »
» Thomas Mayer’s Triamp
» Flac 16bit/48Khz streami»
» Okada’s installation.
» An amplifier for Tweeters
» What is the best or rule»
» Cooperation for the comm»
» Macondo copying: Horns t»
» Tschaikowsky, [Violin] C»
» Preamp/linestage recomme»
» The “theories” about the»
» How to waste $25.000.00
» A CD playing audio perso»
» Vitavox ak151 in klipsch»
» Dunlavy SC++ loudspeaker»
» How to make a music pers»
» Phoenix
» Impulse response, short »
» Do not “compare” audio e»
» Fake Vitavox S2 diaphrag»
» Mstislav Rostropovich Di»
» DSET phoned home?
» The bogusness of the coa»
» San Francisco in Februar»
» High-End Audio Bass: wha»
» Hørning prøble»
» How to sell high-end aud»
Bookmarked are red
Heart's Ease
Takashi Asahina Group
Virtuosos Discographies
Eugene Ormandy Pages
Tempo-Electric - Arthur »
Koussevitzky & BSO
Phono EQ
Opera Collector Guide
Sound Tourism
StateWork Broadcast Reco»
GedLee loudspeakers
WGBH's “Keeping Score”
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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CEC TL-0 MK2 transport
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