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» 3012, 312, M2-12 or ... ?
» A tribune to Transient E»
» Kitties go to London
» I wonder if this crap is»
» Anybody building or usin»
» Melq 6e5p driver stage f»
» Cooperation for the comm»
» SET and speakers: disreg»
» Vertical Axis Midbass Ho»
» Cable Current Loading
» Big mama 1.5" horns»
» Analogue to digital conv»
» Midrange driver suggesti»
» Interesting diffuser sof»
» Expensive Audiophilism a»
» 'Ideal' ceiling height? »
» Crossover Design
» There is no need to say »
» The Berlin Philharmonic »
» A discussion about the a»
» The Yevgeny Mravinsky Fi»
» Wide dispersion horns
» Copper Mat on a Micro Se»
» John Cage about silence »
» Shi-Yeon Sung and BSO
» Nothing to read.
» Lab JC
» Emmerich Kalman (1882-19»
» Pro Audio: JBL SR-4735X
» Miniumum sample rate for»
» A New Way Forward with P»
» A stunning Beethoven’s “»
» Vox Olympian secrets unv»
» A new generation of full»
» About the tweeters phase»
» ... and some Bruckner bu»
» Has anyone built the DIY»
» All Active! A DSET and m»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 1 Institute for Concer»
APR 2 Andris Nelsons, cond»
APR 3 Andris Nelsons, cond»
APR 4 Andris Nelsons, cond»
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Micro Seiki RX-5000
Altec 515B bass drivers
Sansui TU-X1 Tuner
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Musatex’s Bidat Model "»
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