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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Compression drivers and »
» The “Dead Points of Live»
» A new European productio»
» About Wilson Audio Louds»
» America, version 2004
» Editing your own posts
» Japanese Super High Mate»
» It was seventy years ago»
» Amplifiers heat… a real-»
» First Bruckner listening»
» Zander's new Masterclass
» My Multi-way Horns
» Synergy Horn
» Remastering (and re-loca»
» Be careful: Imaging vs. »
» From Newton to Einstein
» Suggested target curves »
» CEC TL0 3.0 trasport
» Alicia De Larrocha, Bach»
» Wagner and loudness.
» The Sound and How We Hea»
» Those Video broadcasts f»
» Furtwangler War Years Re»
» Disregard the industry p»
» Klipsch Jubilee
» The idiotism of Audio Sy»
» Lamm ML2.2 and Mark the »
» How to train respect aud»
» Metal domes
» 3012 silicon dumping
» Audio equipment vs. live»
» Problems with horns: upp»
» I'm omnivorous... am I i»
» I hate, hate, hate, hate»
» Lower cost horn loaded a»
» Digital recorders: what »
» Wine, women, song.. and »
» Audio and Music: four le»
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Japanese Translator
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Twogoodears' Blog
Lenard's Opals monitor
Virtuosos Discographies
Polish GM70 Poject
Stereopal
Hughs Ominous Tubes
Berkshire Record Outlet
Direct Heated Rob
Musical Musings
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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