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» Walter conducting Vienna»
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» The corrupted listening »
» Hans Deutsch active acou»
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» Get, or made up a tube t»
» The Full (fuller) Range »
» I think about War lately.
» More or less pleasure: w»
» Nikolaj Znaider's play a»
» SS Amplification for Com»
» Output transformer for b»
» A new 'chic' foolishness»
» Bruckner Sinfonie Nr.8, »
» Why I do not like La-hor»
» Introduction to “Melquia»
» High-End Audio Bass: wha»
» A sort of DPOLs
» Red Violin Concerto
» Choosing Someone to Refu»
» A fundamentally faulty J»
» Vitavox S2 with Electrom»
» A fresh take on 9th by t»
» Berlioz Requiem / Pavaro»
» It is about timbres, stu»
» Today’s SACD - music for»
» Some nice horns from Gre»
» Bruckner, Wind and the w»
» Brahms 4th Symphony in i»
» Who builds horns?
» Patricia Kopatchinskaja »
» Assemble it yourself?
» Superbly interesting eff»
» The European Triode Fest»
» About Moronism in Audio
» The Hannes Kastner’ Tocc»
Bookmarked are red
Conductor’s Corner
Unofficial Vitavox Site
WGBH's “Keeping Score”
Duntech Audio loudspeake»
Soviet Composers
Art Songs and Librettos
Doremi CD label
Michelangeli Site
GS Tube
Boston Philharmonic Orch»
Phil Mundi Audio Pro Med»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox AK151 15" bass »
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ESS AMT-1A Heil Air Mot»
Fane Studio 8 dual conc»
Musatex’s Bidat Model "»
Lamm ML-2 Single-Ended »
Altec 808A compression »
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Conscience of audio rev»
Micro-Seiki MAX-282 To»
REL Precedent 646C tuner
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