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» Celibidache / bruckner
» Okada’s installation.
» The low-power SET and de»
» Object-oriented audio re»
» Haliaetus: Dick Cheney’s»
» The benefits of ultra hi»
» The 500-megawatt FM stat»
» More about the EdgarHorn»
» Semi-Interesting film fr»
» Devid Berning amplifiers»
» Playlists and patience
» Not all audio equipment »
» Bye-Bye Reel
» The BBC program about gr»
» Small SET’s bass, beside»
» Arranging my records col»
» A very slow monolog abou»
» Michelin horns
» The elusive “absolute to»
» Marantz MA-9S2 Monoblock»
» Macondo’s Midbass Projec»
» The Second stereo arm pr»
» How idiots destroy sound.
» To Rip or not to Rip.
» The realty of UHF and LF»
» Micro Seiki DD30 Headshe»
» K2HD -yet, another CD fo»
» Mahler: Symphony No. 2 i»
» Drama vs. Chic
» The commercial music ser»
» Bravo, Stereophile: Adve»
» Beware of PurePower Part»
» Another horn manufacturer
» A right midbass solution»
» Josh: My visit to Romy t»
» Use absolute polarity as»
» Bruckner Sinfonie Nr.8, »
» The Estonian idiocy: Est»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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‘the lost pianos of siberi»
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Musatex’s Bidat Model "»
Rohde & Schwarz MSDC Mu»
Pacific Microsonics Mod»
CEC TL-0 MK2 transport
Koetsu Onyx Platinum Ca»
Kenwood L-02T FM Tuner
Hillock TV-2 tube tester
Altec 515B bass drivers
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