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» Analog: a reduction of s»
» About the thoughtfulness»
» The new G.I.P speakers.
» Yet another Gould box se»
» RIP Oscar Peterson
» The "Lopsided"»
» It’s mad, mad, mad... e»
» CDs: good tendencies.
» Semi-Interesting film fr»
» CD Is Dead. CD Is Dead?
» More about the EdgarHorn»
» Electronluv systems ques»
» Compression drivers saga
» About Moronism in Audio
» Some kind of Grundig…
» Mahler 3 and BPO.
» FM and live real-time br»
» About the DAW playback s»
» A playback and wrong not»
» The cPlay software.
» What you do when you cat»
» "SOTA Technology&qu»
» The most complicated que»
» Building Melquiades: Chr»
» Stephen Hartkel, the goo»
» What is High-End Audio, »
» Not all audio equipment »
» Wagner and loudness.
» Turntable speed analysis.
» Macondo – Super Melquiad»
» Wharfedale Super 12/RS/D»
» Who builds horns?
» "Zaratustra II"»
» The real goals of sound »
» 250 watts Parallel S.E. »
» Lamm hybrids: M1.2 vs. L»
» The Nationals Anthems
» Low output MC?
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Spinning Dog Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox 330Hz Horn for »
Electro-Voice T350 twee»
“Tree Blind Mice” colle»
Mid-range tantrix round»
Musatex-TP Bidat 20-Bi»
Altec 515B bass drivers
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Kenwood L-02T FM Tuner
REL Precedent 646C tuner
Micro-Seiki MAX-282 To»
Korvet “Egg” Tonearm
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