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» The low-power SET and de»
» The Deutsches Requiem of»
» Reference Recordings “di»
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» Tchaikovsky’ Death
» Joël Durand Intervi»
» Richard Wetz and Martin »
» About the pre-warming of»
» The best speaker in the »
» Reflex enclosures used a»
» Melquiades For Dummies™ »
» Prom 22 - if only all or»
» Mysterious Russian Tromb»
» Paganini's Daemon : A Mo»
» The benefits of ultra hi»
» You Can Play the Record,»
» Why Hight-End Audio, as »
» Is it the time to change»
» Micro Seiki, tonearm,car»
» A DSET is better then an»
» God bless WDR Symphony O»
» The Eduardo Chibas and B»
» The Remote System Manage»
» Excerpt: Beethoven Cello»
» Dvorak/"Dumky"»
» More or less pleasure: w»
» A need for Resolution /S»
» An ultimate transformer »
» Audio Tekne driver align»
» Rod Poole 1962-2007
» A new European productio»
» Justification of Buying »
» The cut or not to cut, t»
» Stunning Resurrection in»
» More about the EdgarHorn»
» About bass horns by Joha»
» Constant directivity = c»
» Zander, BPO, George Li a»
Bookmarked are red
Adnan Arduman's site.
Thomas Dunker's Site
Technical books online
Seen and Heard
Soviet Composers
JE Labs
33+45=78
Electron Tube Data sheets
Greg Sando’s Site
Parnassus Records
Wood Horn Speakers
OperaGlass
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
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Purist Audio Design Pro»
Sansui TU-X1 Tuner
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