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» The 68 dipoles imitation»
» High-End Audio amplifier»
» Aesthetix Rhea Signature»
» Upper-Sound of Upper-Imp»
» Electro-Voice T350, T35,»
» DIY LCR phono
» Recapping RX5000
» Etheraudio's some BS….
» Where are our good Tuner»
» The "Lopsided"»
» Melquiades: too early fo»
» Audio Shopping vs. Piano»
» Kharma Speakers as pH-in»
» Bahnsen Horns + some fre»
» November to remember… an»
» A Cardboard Effect.
» EMI rollercoaster across»
» Dubbing LP to digital.
» About the audio Sources.
» How to build the best au»
» The Free Intent Audio Jo»
» Brahms Double Concerto
» Time alignment of drivers
» First order filtration a»
» About the undeveloped au»
» A ridicules speaker cable
» The Opera Room
» Dvorak/"Dumky"»
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» Danley's Hyperion
Bookmarked are red
Austria's Musical Exiles
The National Valve Museum
WGBH's “Keeping Score”
Random Classics
Nubes Partem
Thomas Dunker's Site
Tuner Information Center
Louis Speichler's Records
Subito-Cantabile
Holger Klein's Soundpage»
Western Electric manuals
Museatex
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Altec 515B bass drivers
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Musatex’s Bidat Model "»
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Korvet “Egg” Tonearm
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