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» The iHorn - a passive a»
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» About the thoughtfulness»
» The Evolution of Honk.
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» How Mussorgsky should so»
» GM70 vs. 6C33C
» Gould's Goldberg Variati»
» Integrated sound field o»
» Low output MC?
» The Museatex Bidat pages.
» Horn Speaker Leftovers f»
» The ultimate cancer of a»
» Bruckner integral
» A listening room for a d»
» Grid bias power supplies
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» The Multicells HF Horns.
» The Norman Lebrecht’s ar»
» The Macondo’s Upper Bass»
» Updated view: The Optima»
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» A CD player of today… 20»
» Seven phases in the life»
» My old Fi-Hi gear associ»
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» Maxim Vengerov: Encore i»
» A littlie D-War: Bidat v»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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Composer's Anniversaries
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von Preußen, Louis Fe»
von Weber, Carl Maria (18 »
Paderewski, Ignacy (18 Nov»
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Bardos, Lajos (1 October 1»
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Seeger, Ruth (3 July 1901-»
McManus, Stephen (18 Novem»
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My Audio Leftovers
Rohde & Schwarz EU-6201»
Stage Acompany SA8535 d»
Musatex’s Bidat Model "»
Vitavox AK151 15" bass »
Altec 515B bass drivers
Lamm ML-2 Single-Ended »
SME M2 - 12" Tonearm wi»
Conscience of audio rev»
Electro-Voice T350 twee»
Korvet “Egg” Tonearm
Ortofon Mono CG 25 Di c»
More Leftovers »»