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» Kharma Speakers as pH-in»
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» The mono cartridges para»
» Conchita Supervia
» Why I hate computer play»
» 2012 Decca records from »
» What 10k Buys You These »
» RMAF 2008 observations, »
» Don’t "use" VTA
» Horns and digital crosso»
» Weber’s "Andante e »
» Signal variation, noise,»
» Tree motors from one sid»
» Bruckner and women
» Putin or Medvedev?
» Monitors: Wishful thinki»
» 2010 Classical Grammy No»
» What is better then Wagn»
» How Mussorgsky should so»
» A Good Tchaikovsky PC 1?
» How to listen High-End A»
» Impossibility of commerc»
» OK, digitechs, why won't»
» How would you handle it?
» Audio and the “Alzheimer»
» 3012, 312, M2-12 or ... ?
» Tape Machines
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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‘the lost pianos of siberi»
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it’s (almost) business as »
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Micro-Seiki MAX-282 To»
Purist Audio Design Pro»
Micro-Seiki air-suspend»
Mid-range tantrix round»
Musatex’s Bidat Model "»
Micro-Seiki Arm Board
CEC TL-0 MK2 transport
REL Precedent 646C tuner
Stage Acompany SA8535 d»
Altec 515B bass drivers
Rohde & Schwarz MSDC Mu»
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