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» Super Melquiades Amplifi»
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» Violin Concertos
» The WHRB’s Orgies period.
» Dpols?
» Some thoughts about bass»
» Classic Artc Showcase St»
» K2HD -yet, another CD fo»
» Outdoor horns
» Attempt of a playback sy»
» Tannoy Red 1960s: some s»
» 6C41C – the journey to n»
» A proper implementation »
» Beware of the monophonic»
» NASA Reverberant Acousti»
» San Francisco in Februar»
» What drives your musical»
» Cobbett
» Metropolitan Opera 2009-»
» More about the EdgarHorn»
» Metaxas-Wolfson ADC with»
» The single-stage Milq an»
» Building “Zarathustra II»
» The High Resolution PCM »
» Soundsmith’s analog idea»
» Be careful: Imaging vs. »
» Phoenix
» Koussevitsky and La Mer
» S2 Hissing Sound
» Earl Geddes: I can't her»
» Write your own ploy of t»
» Online Music Store in Eu»
» Ultimate HF output trans»
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» Middle step (non ultimat»
» What to do in England?
» How to manage audio powe»
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Takashi Asahina Group
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Recording Technology His»
Duntech Audio loudspeake»
Conductor’s Corner
JBL Products
Direct Drive TT
Austria's Musical Exiles
Valves Collection
MetManiac Opera Archive
Wolds Opera Broadcasts
Michelangeli Site
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
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another trump blunder»
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classical music attracts o»
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it’s (almost) business as »
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Altec 515B bass drivers
Korvet “Egg” Tonearm
Mid-range tantrix round»
Fane Studio 8 dual conc»
Lamm L2 Reference pream»
Purist Audio Design Pro»
ESS AMT-1A Heil Air Mot»
Sansui TU-X1 Tuner
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Hillock TV-2 tube tester
Micro Seiki RX-5000
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