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» An Interview With Dr. Br»
» Hungarian folded horn
» Brahms PC #1, Philharmon»
» Hiroyasu Kondo: “My thou»
» About the ownership of a»
» “Get Better Sound” by Ji»
» My trip to the Stereophi»
» Why GOTO do not care abo»
» Mozart: "Cosi Fun T»
» That is not 1812 and the»
» Loenid Kogan
» A resistor between scree»
» The wonder of Ayre Acous»
» A quest for a better mon»
» Bruckner 3rd
» Ultimate Turntable?
» Macondo: new horizons. A»
» Hans Zenders’ orchestrat»
» Thinking about Bruckner »
» The cPlay software.
» In Praise of Infidelity »
» Altec A2
» Who has best sound in Hi»
» Mozart, Piano Concerto i»
» Mid Bass horns help with»
» Aporia - Silbatone Acous»
» Macondo vs. the “industr»
» Think how a playback com»
» A quote from a Japanese »
» First Order on Bass chan»
» Evaluation of tractrix c»
» Paganini's Daemon : A Mo»
» Zander, BPO, George Li a»
» My recent FM mystery
» My today’s views on LP c»
» Position your speakers a»
» The best “Die Fledermaus»
» The mystery of reversed »
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Boston Philharmonic Orch»
Nubes Partem
Norman Lebrecht's blog
Archives of Canada
Cedille Chicago
Tempo-Electric - Arthur »
Holger Klein's Soundpage»
Rachmaninoff Society
Elliott Sound Products
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Mercure, Pierre (1 Februar»
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Thomas, Janet Owen (29 Jan»
Pardini, Pablo (29 January»
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Altec 808A compression »
Electro-Voice T350 twee»
Vitavox S2/S3 diaphragms
Vitavox AK151 15" bass »
Musatex’s Bidat Model "»
Lamm ML-2 Single-Ended »
Rohde & Schwarz MSDC Mu»
Korvet “Egg” Tonearm
Tribute Output Amorphou»
Altec 515B bass drivers
Micro Seiki RX-5000
More Leftovers »»