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» Ravel's Piano Trio; Rubi»
» The "new" Shos»
» Analogue to digital conv»
» Why I hate computer play»
» The ULF cannel for my ne»
» Do not touch that used t»
» SET amplifiers
» DHT driver & input
» The state of High-Effici»
» DVD for pop, SACD for cl»
» A response to David Hurv»
» About Timbre and Audio.
» Micro Seiki SX 111FV Pla»
» SET and speakers: disreg»
» Hungarian folded horn
» State Symphony of Russia»
» Audio and Music: four le»
» Transparent horns
» Haniwa Cybernetic Audio »
» Berlin Philharmonic Dire»
» Tubas and Mc-step
» BBC: Composer of the Wee»
» Macondo Frame modificati»
» Bruckner, Wind and the w»
» The funny Internet audio»
» The global live televisi»
» About digital files and »
» Volti Audio's Vittora
» Chostakovich: Concerto »
» Hi from Melbourne, Austr»
» Wilsons, EMM, Ozawa, Sa»
» Neat reminiscences from »
» About the thoughtfulness»
» The “Right of Spring” – »
» Radio Netherlands’ Live!»
» Digital recorders: what »
» Audio equipment vs. live»
» Rachmaninoff PC 2: Conce»
Bookmarked are red
Arbiter Records
Rottenburger Museen
Ward Marston's "Marston"»
Furtwängler's conserts
Pristine Audio Direct
Virtuosos Discographies
Loudspeaker Designer's G»
Paul's Antenna Attic
Thomas Dunker's Site
Radios for Sale
ClassicalNet
The Music Parlour
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro-Seiki MAX-282 To»
Lamm L2 Reference pream»
Stage Acompany SA8535 d»
Pacific Microsonics Mod»
CEC TL-0 MK2 transport
“Tree Blind Mice” colle»
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Micro-Seiki air-suspend»
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