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» Why I hate HornResp.
» Tannoy Red or Gold monit»
» The Softer Side of a Har»
» About the Critical Audio»
» A fresh take on 9th by t»
» Performance of a week.
» Shaky tubes, echo testing
» Tonality versus Frequenc»
» Paganini's Daemon : A Mo»
» Vinyl Ceremonies: Repeat»
» Good commercial speakers
» Macondo vs. the “industr»
» The European Triode Fest»
» About the ownership of a»
» Playing music for visito»
» A horny newcomer: Pink F»
» Two channels (tweeter an»
» The Sound and How We Hea»
» Speakers: a hi-fi disast»
» RDANA - about banning no»
» Remembering Sound…
» The Avicenna's failure i»
» New audiophile download »
» PS Audio's digital appro»
» DIY Firefly Horns
» Lamm ml2 voltage 110v to»
» Single Ended Pentode to »
» Shindo Latour
» A quantum CD?
» Audio critique – open yo»
» I built this device
» Acoustic Treatments That»
» The "artificially&q»
» Etheraudio's some BS….
» Tonearm Alignment Method
» Tchaikovsky's Nutcracker»
» Getting Started with Mya»
» Electro-Voice T350, T35,»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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