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Melquiades SET Amplifier
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» HELP: I’m a line-level l»
» “Hearing Modernity” at H»
» Chopin's Waltzes, Witold»
» Building horn onto power»
» How do you position your»
» Building “Zarathustra II»
» Who makes good L-Pads?
» The 5th horns in stack o»
» Brahms, "Liebeslied»
» Micro RX5000: is that be»
» Putin or Medvedev?
» My playback: what is nex»
» Floor reflections
» My Multi-way Horns
» The “Dead Points of Live»
» Some Audiogon realty
» Inner Groove Distortion »
» "Not So Sweet Spot&»
» Integrated sound field o»
» Updated view: The Optima»
» Rakeshorns
» PCM63 DAC with Transform»
» Holly Proscenium idiocy!
» An amplifier for Tweeters
» The CD players must read»
» Maxim Vengerov: Encore i»
» Ravel's String Quartet; »
» Surprising: the most int»
» October surprise. NY, NY»
» Bias help
» The new FM Classical sce»
» Reel-to-Reel Tape vs. Ra»
» About the tweeters phase»
» RIP Henryk Mikolaj G»
» DA architecture: True M»
» Magico: Robert Harley’s »
» The Dvorák’s Tone P»
» Problems with horns: twe»
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Takashi Asahina Group
Marston Records
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The Thiele-Small Loudspe»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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AUG 17 Black Sheep Contempo»
AUG 18 Rossini’s Petite Mes»
AUG 19 Andris Nelsons, cond»
AUG 20 Chamber Music»
AUG 20 Borromeo String Quar»
AUG 21 Ying Quartet»
AUG 23 Landmarks Dance Carn»
AUG 23 Schuberts Summer Jou»
exclusive first listen: hel»
unearthing mendelssohn's lo»
felix mendelssohn's 'scotti»
felix mendelssohn's genius »
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siegfried köhler (192»
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with new leadership, new y»
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hear the music that inspir»
bartók semi-finals»
julian jacobson»
unique programmes»
wilhelm killmayer (1927-20»
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cue the castanets: the wee»
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what to look forward to in»
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LF Transformer for 6C33C
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REL Precedent 646C tuner
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