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» About speakers Imbedded »
» Some thoughts about bass»
» Cobbett
» Input choke for Low Curr»
» A response to David Hurv»
» Remedies the Beauty
» Metropolitan Opera 2009-»
» Tchaikovsky’s “Evgeny On»
» Dedicated horn loaded mi»
» What to read in audio?
» High End speakers Evolut»
» High-End Audio vs. High-»
» SET and speakers: disreg»
» A “pocket version” of Br»
» Ca(r)t before the horse:»
» Null-set dipole butterfl»
» Back chamber
» Melquiades (D-Set) parts»
» My recent FM mystery
» Motion Picture Sound
» Deep-cryogenically treat»
» Speakers: a hi-fi disast»
» The Mercury "Rigole»
» Thinking about Bruckner »
» Making of a Steinway.
» Vertical Axis Midbass Ho»
» Like colourful contrasts»
» RMAF06 Show Report
» RIAA pole two = 501,12 Hz
» 7788 tube mic pre design
» Melquiades: too early fo»
» Unexplained haunting exp»
» The contra-ridicules sol»
» For one day only
» A multi-tier audio contr»
» Better organization/desi»
» The best Third Movement »
» Placido Domingo... condu»
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Classical events in Boston
APR 29 NEC Philharmonia in »
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APR 30 Facets in Cambridge »
AUG 1 BU Tanglewood Instit»
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NPR Classical Programs
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My Audio Leftovers
Micro-Seiki MAX-282 To»
Fane Studio 8 dual conc»
Purist Audio Design Pro»
Vitavox AK-15/40 15" ba»
Hillock TV-2 tube tester
Micro Seiki RX-5000
Vitavox S2/S3 diaphragms
SME M2 - 12" Tonearm wi»
Electro-Voice T350 twee»
Micro-Seiki air-suspend»
Vitavox AK151 15" bass »
More Leftovers »»