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» Vitavox and Goodmans Bas»
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» Rach’s Prelude in C-shar»
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» New Horn Speaker Manufac»
» Help with RF loop
» Ah, Michelangeli...
» Speakers: a hi-fi disast»
» Ultimate MF compression »
» Don't evaluate audio by »
» HDTracks- 50% Off of any»
» 100V vs 120V
» The beauty of Cannibalis»
» Munich High End 2011
» The best 20 hz bass horn
» Conductor Herbert Kegel
» A fresh take on 9th by t»
» What drives your musical»
» Pacific Microsonics Mode»
» Some horn writing by Tho»
» Expensive Audiophilism a»
» How the things are getti»
» Belar fms-2 Vs. r&»
» The need for a balanced »
» Analog Transfer: the fir»
» Do not “compare” audio e»
» Lamm introduced LL1 Sign»
» Levels of High End Audio»
» Wheel-Fi
» DSET phoned home?
» My Multi-way Horns
» Romy...thoughts on Lamm »
» The European Triode Fest»
» German Odeon horns.
» About my listening habit»
» Interesting use of Lunda»
» It is about timbres, stu»
» DIY Void acoustics Air m»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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CEC TL-0 MK2 transport
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Rohde & Schwarz MSDC Mu»
Sansui TU-X1 Tuner
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