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» Multi-amping crossoverin»
» Chesky's violin concerto
» Sonic consequences of re»
» Fun with transformers?
» The 3rd music revolution»
» Matching audio to music:»
» A different breed of 6C3»
» The experiments with rem»
» Myth: High-efficiency L»
» DVD for pop, SACD for cl»
» Those experiences. Early»
» Polish Autotech steps up»
» PS Audio's digital appro»
» The silence after coda
» Mercury Living Presence »
» Do the Filament Transfor»
» The Melquiades' "Re»
» A horrible re-performanc»
» Macondo Frame modificati»
» Rod Poole 1962-2007
» High-End Audio amplifier»
» Carbon Interconnect
» Educate yourself WHY you»
» Should I low pass the mi»
» About the Audio Neutrali»
» Devid Berning amplifiers»
» French Horns/drivers sho»
» SME M2
» In defense of Mikhail Pl»
» New bottlehead dac
» “A” sound from “B” syste»
» Custom UPS.
» Melquiades: too early fo»
» You Can Play the Record,»
» DA architecture: True M»
» Input choke for Low Curr»
» To be or not to be.
» Large Polystyrene Caps
Bookmarked are red
Vincent Brient's Sit
Graeme's Speaker DIY Pag»
Western Electric manuals
Classical Collections
Recording Technology His»
Opera Collector Guide
Classical Music Streams
MusicWeb
Hughs Ominous Tubes
BostonSymphony's Channel
Lenard's Opals monitor
WHRB Radio Station
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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LF Transformer for 6C33C
Altec 515B bass drivers
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SME M2 - 12" Tonearm wi»
Koetsu Onyx Platinum Ca»
Lamm Industries M1.1 Mo»
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Hillock TV-2 tube tester
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