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End of Life Phonostage
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» Digital crossovers self-»
» ... and some Bruckner bu»
» Tape Machines
» Loudspeaker: Sound repro»
» Buzz/Kill, and The Most »
» To drive the 6C33C...
» Live vs. Recorded transc»
» EMI rollercoaster across»
» DAW drives configuration»
» Mr. Kleen Stylus cleaner
» Ah Mravinsky !
» Crossover or non-crossov»
» Practicality of paper ma»
» My favorite video clips
» Danley's Hyperion
» In interesting new compa»
» Some Orchestra on Demand»
» OK, digitechs, why won't»
» Phase plug for midbass
» How to select mid/upper »
» Professional sound syste»
» Shelter 901 on SME 309 t»
» Electronluv systems ques»
» The Opera Room
» The best album of 2005 s»
» From bad Opera to good O»
» Paganini's Daemon : A Mo»
» Computer Audio - like ev»
» Film in Boston: "An»
» Those little headphones…
» Fidelity Research FR-7
» Ortofon MC Anna cartridg»
» Looking at the pictures »
» A Very Nice "Eroica»
» November to remember… an»
» The most complicated que»
» High Pass Inductors
» Remedies the Beauty
Bookmarked are red
BostonSymphony's Channel
Direct Drive TT
Instant Encore
JE Labs
Audio Anthology
ClassicalNet
Max Robinson’s “Fun With»
Wiener Philharmoniker Di»
Tonal tests
Altec divers/horns
Glenn Gould Audio Archiv»
FM Radio Query
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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it’s (almost) business as »
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Vitavox S2/S3 diaphragms
Kenwood L-02T FM Tuner
Koetsu Onyx Platinum Ca»
Altec 515B bass drivers
Lamm Industries M1.1 Mo»
Micro-Seiki MAX-282 To»
Korvet “Egg” Tonearm
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Electro-Voice T350 twee»
Rohde & Schwarz EU-6201»
Micro-Seiki Arm Board
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