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» About the Playbacks’ Thi»
» Initial thoughts about n»
» Long time due: Digital P»
» Playing bad recordings u»
» Who makes horns? Archite»
» The nature of "soun»
» (Whose) classical music.»
» Surprising: the most int»
» Tchaikovsky's Nutcracker»
» Problems with horns: mid»
» Proximity of horn’s cros»
» My today’s views on LP c»
» 2010 Classical Grammy No»
» From Newton to Einstein
» RIAA pole two = 501,12 Hz
» Wiring for box speakers?
» Cable Current Loading
» The Shelter 90X: mystery»
» Putin or Medvedev?
» The best audio system: m»
» A true nature of audioph»
» Ultimate Turntable?
» William Kapell legacy an»
» Dubbing LP to digital.
» The decentralization and»
» Bruckner, me and the Sev»
» A revolution for Executi»
» Simpson Microphones thre»
» About DSET-driven multi-»
» The best audio source EV»
» It is possible to elimin»
» The “Dead Points of Live»
» “Zarathustra” amplifier:»
» Another interesting corr»
» Perception of bass?
» Mid-bass Hornresp (V51.3»
» Corner Speakers for a ne»
» Kenwood L-02T and the hy»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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