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» A stunning Beethoven’s “»
» An Afternoon with Gary K»
» The ultimate buffer – li»
» A datacenter at home and»
» I wonder if this crap is»
» The nature of "soun»
» Okada’s installation.
» What to do in office?
» BD-Design’s Orelino
» How to play Mahler 7 at »
» Zander, BPO, George Li a»
» About Boiling Micro Resp»
» Lamm LP2 phonostage: rev»
» I think about War lately.
» Rachmaninoff PC 2: Conce»
» Multi-amping crossoverin»
» THE Show, Irvine 2018
» Playback evaluations mad»
» Van Cliburn Moscow 1958
» Romy stalked me on the f»
» RCA’s Sound And The Story
» The pianist Yuja Wang … »
» Why I do not love Mahler?
» Spivakov, NPoR Orchestra»
» SME M2-12 tonearm
» New paradigm - what an &»
» The low-power SET and de»
» Using chairs as phase ra»
» Baseline measurements an»
» The Foolishness of Analo»
» Lecture on history of ar»
» Motion Picture Sound
» Input choke for Low Curr»
» Some evidence for the ch»
» State Symphony of Russia»
» Get, or made up a tube t»
» A contemporary great CD »
» Wilsons, EMM, Ozawa, Sa»
Bookmarked are red
Phil Mundi Audio Pro Med»
Dan Lavry's Forum
RAAL ribbons
Tchaikovsky's Compositio»
The Bruckner Discography
Austria's Musical Exiles
StateWork Broadcast Reco»
Audiomisc
Koussevitzky & BSO
OperaGlass
Audio Perfectionist
Unofficial Vitavox Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
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CEC TL-0 MK2 transport
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