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» James Levine takes a gre»
» Bruckner and women
» Any recommendations?... »
» (Hopefully short) headph»
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» Music & Arts' Stokow»
» Output transformer for b»
» In Praise of Infidelity »
» The most emblematic reco»
» Klangfilm: actual knowle»
» Lamm’s new phonostage.
» The essence of High-End »
» Balanchine’s “Pathetique”
» RMAF06 Show Report
» Beauty as I See It - Mus»
» Woofer cone materials an»
» Beethoven PC 5 Surprise »
» Revisiting DSP
» Midrange driver suggesti»
» Beware of "Higher F»
» A beautiful miller's dau»
» The tapped horns: cons, »
» The Eduardo Chibas and B»
» Musique Concrete horns
» 3 ways how I listen to m»
» I need some advice and d»
» Simpson Microphones thre»
» Eq for 78's
» Audio vs. Musical pitch
» HELP on a Custom 3 Way H»
» The IDEAL horn system
» Creative listening
» Starting from scratch - »
» Okada’s installation.
» Paradoxes of my Racism.
» Updated view: The Optima»
» Fidelity Research FR-7
» Open cell foam in horns »
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Lied and Art Songs
MetManiac Opera Archive
Qualiton
Dolmetsch Online
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Decca Classical discogra»
Cedille Chicago
Pjay's Speaker building »
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Audio Anthology
Recording Technology His»
Spinning Dog Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
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another trump blunder»
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‘the lost pianos of siberi»
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it’s (almost) business as »
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Lamm ML-2 Single-Ended »
Purist Audio Design Pro»
Musatex-TP Bidat 20-Bi»
Korvet “Egg” Tonearm
Pacific Microsonics Mod»
Altec 808A compression »
CEC TL-0 MK2 transport
Lamm L2 Reference pream»
Micro Seiki RX-5000
Mid-range tantrix round»
Sansui TU-X1 Tuner
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