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» THE Show, Irvine 2018
» Audio clubs in London, T»
» Callas and Tebaldi Compa»
» Audiotism: cable elevato»
» Van Cliburn Moscow 1958
» The Avicenna's failure i»
» Hi-Fi Mini Systems
» Shelter 901iii or 90c ca»
» Josh: My visit to Romy t»
» German Odeon horns.
» Small SET’s bass, beside»
» About Moronism in Audio
» Shopping for DSD Convert»
» The sound of Concert Hal»
» K2HD -yet, another CD fo»
» What Passes for "Sp»
» About HF Binaurallism
» How the things are getti»
» "Not So Sweet Spot&»
» Wagner and loudness.
» An evening to remember -»
» DAW is down… new DAW.
» The CD players must read»
» The industry’s high qual»
» Playlists and patience
» Trash your “full-rage”, »
» Do not buy CDs mastered »
» And a Bruckner 8 the day»
» Bermuda Triangles of Aud»
» MTT’s Mahler at 180 ghra»
» Why Horn loaded systems?!
» Wilsons, EMM, Ozawa, Sa»
» That is not 1812 and the»
» Ale horns on ebay possib»
» Joaquin Rodrigo’s “Conci»
» Learn to differentiate b»
» About the tweeters phase»
» T.H.E. Show, Newport, 20»
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Ward Marston's "Marston"»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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